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Percussion

Aleksey Amosov

In the orchestra since 2018

Alexei Amosov was born in 1972. In 1991, he finished the Music college at the Moscow Conservatory. In 1996, he graduated from the Tchaikovsky Moscow State Conservatory.

In 1995–2005, Alexei Amosov was a soloist at the Russian Bolshoi Theatre orchestra. As a xylophone soloist, he regularly performed with the wind orchestra and brass ensemble of the Bolshoi Theatre. In 2005–2018, he was the concertmaster of the percussion section at the Kolobov Moscow “New Opera” theatre.

Since 2018, Alexei Amosov has been a member of the musicAeterna orchestra.

WHAT IS THE HARDEST PART OF WORKING AS A MUSICIAN? AND WHAT PART OF YOUR WORK GIVES YOU JOY?
Working with Maestro, collaborating with world-class professionals, playing at the world’s best concert halls — all these things give me joy. As for the hardest part, it is probably the necessity to always give your 100% and to be ready for unexpected challenges at any time. This is especially true if you play modern music. It is both complex and breathtaking, and every day brings you a new challenge to tackle.
HOW MANY INSTRUMENTS DO YOU HAVE IN YOUR ARSENAL?
I’ve lost count: there are hundreds. New tasks keep popping up, so I have to come up with new instruments and new techniques — such as playing a piece of styrofoam with a double bass bow or hitting a tam-tam with a rubber ball. I’ve had to play the water gong not long ago: I put a gong into a water-filled tub and played tremolo. In a word, there are no limits to professional growth here. I love this abundance of various percussion instruments — that’s why I switched to them from playing the piano as a child.
WHAT MUSIC DO YOU FIND MORE INTERESTING TO PLAY: MODERN OR OLD?
I love both. Modern music is certainly more inventive and unorthodox when it comes to technique, but old music has its own challenges. For instance, the cymbals in Tchaikovsky’s symphony should be played with an ideal sound. That’s no easy feat!
WHAT COULD YOU COMPARE WORKING AT MUSICAETERNA TO?
I don’t even know. Perhaps to mountain skiing in the Alps. Each concert gives me such a powerful adrenaline rush and such a euphoric feeling that I doubt I could find similar sensations in anything else.
IS THERE A PIECE OF MUSIC YOU DREAM TO PLAY?
It probably hasn’t been created yet.

musicAeterna orchestra events

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The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.

The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.

Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna

Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov

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The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.

The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.

Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna

Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov

Sold out
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Ludwig van Beethoven (1770–1827)
Symphony No. 4 in B-flat Major, Op. 60 (1806)

Adagio – Allegro vivace
Adagio
Allegro vivace
Allegro ma non troppo

Wolfgang Amadeus Mozart (1756–1791)
Symphony No. 41 in C Major, ‘Jupiter’, KV 551 (1788)

Allegro vivace
Andante cantabile
Menuetto: Allegretto
Molto allegro

Performers:
musicAeterna Orchestra
Conductor Teodor Currentzis

Sold out
+

Ludwig van Beethoven (1770–1827)
Symphony No. 4 in B-flat Major, Op. 60 (1806)

Adagio – Allegro vivace
Adagio
Allegro vivace
Allegro ma non troppo

Wolfgang Amadeus Mozart (1756–1791)
Symphony No. 41 in C Major, ‘Jupiter’, KV 551 (1788)

Allegro vivace
Andante cantabile
Menuetto: Allegretto
Molto allegro

Performers:
musicAeterna Orchestra
Conductor Teodor Currentzis

Sold out