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Tenors

Alexander Somov

In the choir since 2018

Alexander Somov graduated from the Asbest music college in 2008
specializing in choir conducting (O.V. Zhuiko’s class). In 2016, he graduated from the Mussorgsky Urals State Conservatory with a specialty in vocal performance (M.G. Vladimirova’s class).

In 2009–2018, Alexander Somov was a soloist at the Sverdlovsk Philharmonic choir conducted by A.A. Petrenko. His solo repertoire includes Rachmaninoff’s “All-Night Vigil”, Orff’s “Carmina Burana”, Gavrilin’s “Chimes”, Sviridov’s “Kursk Songs”, and others.

Since 2018, Alexander Somov has been a member of the musicAeterna choir.

WHAT HAPPENS TO YOU WHEN YOU GO UP ON THE STAGE?
On stage, you virtually become one with the composer through the conductor. As soon as you feel the spark, you change and get immersed into music. You give that energy away — and then, when you feel the listeners’ reaction (particularly when the whole audience goes silent in anticipation of the final chord), you get all that energy back. That is priceless.
ARE THERE ANY MUSICAL PIECES YOU COULD LISTEN TO OVER AND OVER?
I would name Schnittke’s sacred music concerto based on Grigor Narekatsi’s writings. Hearing it performed lets you experience Alfred Garrievich’s harmonies on an almost physical level, and it leaves you with extraordinarily bright “cosmic” impressions that are truly something else.
WHAT ELSE CAN GIVE YOU EMOTIONS COMPARABLE TO THOSE YOU GET FROM PERFORMING ON STAGE?
For me, the answer is love, the affectionate relationship with a loved one.
DOES LOVE HELP WHEN IT COMES TO CREATIVE WORK?
It definitely helps in my case. My wife and I are inseparable. She is the only one I can discuss every concert and every idea so frankly and so trustingly with.
HOW DO YOU PREPARE FOR PERFORMANCES?
I don’t think there are any strict rules. If you love music — and you probably do, otherwise you wouldn’t be on stage — you have no need to pump yourself up: the emotions will come to you naturally while you are playing your favourite pieces.
WHAT DOES MUSICAETERNA MEAN TO YOU?
musicAeterna is a musical paradox, a troupe where everyone lives and breathes music.

musicAeterna choir events

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Samuel Barber (1910–1981)
Adagio for string orchestra in B-flat minor, Op. 11 (1936), arranged for choir by Sergei Anashkin

Giya Kancheli (1935–2019)
Lulling the Sun for mixed choir and percussion (2008)

Alfred Schnittke (1934–1998)
Three Sacred Hymns for a capella mixed choir (1984)

Hail Mary, Full of Grace
Lord Jesus Christ
Our Father

Sergei Rachmaninoff (1873–1943)
Fragments from the Liturgy of St John Chrysostom, op. 31 (1910)

Bless the Lord, O My Soul
Praise Ye the Name of the Lord in Heaven,
Our Father
Blessed Be the Name of the Lord

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Katia Tchemberdji (b. 1960)
Nur zu weinen und zu singen…
Oratorio for orchestra, mixed choir and tenor solo set to the poems by Joseph Brodsky (2023). WORLD PREMIERE

I. Death alone gathers us
II. Clouds float over the grove
III. We want to be playing tag on the green
IV. But tell me, soul, what was the look of life
V. We won’t go up the hill anymore

Richard Wagner (1813–1883)
Der Ring Ohne Worte | The Ring Without Words
Symphonic suite based on the opera tetralogy The Ring of the Nibelung by Lorin Maazel (1987)

I. Das Rheingold |The Rhinegold
II. Die Walküre | The Valkyrie
III. Siegfried
IV. Götterdämmerung | The Twilight of the Gods

The musicAeterna Orchestra
Conductor Teodor Currentzis