Basses

Alexey Svetov

In the choir since 2011

Alexey Svetov is a laureate of numerous competitions: the Vocal Auditions for graduates of Russian music universities (Kazan, 2010), the Obukhova All-Russian Vocal Competition (Lipetsk, 2010), the Shtokolov International Competition (Saint Petersburg, 2009) and others. He is also a laureate of the Glinka International Vocal Competition (Moscow, 2009).

Alexey Svetov graduated from the East Kazakhstan College of Art with a specialization in solo vocals (Vyacheslav Tkach’s class). In 2004, he entered the Glinka State Conservatory (Novosibirsk) to study solo vocals in Vladimir Prudnik’s class. He later obtained his master’s degree from the Conservatory.

In 2010–2011, Alexey Svetov was a soloist at the Pushkin Academic Opera and Ballet Theatre (Nizhny Novgorod). Since 2011, he has been part of the musicAeterna troupe.

HOW DID YOU GET INTO THE WORLD OF MUSIC?

Everyone in my family has always been keen on singing. I started learning music since the age of 5 — although at first it looked like I was going to be a dancer. I had the ability, and my mother supported me as a choreographer. But then I got into the accordion class at music school, which redefined my future.

WHAT DOES MUSIC MEAN TO YOU?

Music is everything I have in life. It is my way of self-expression. On stage, you really get to manifest all your emotions. Through music, you can convey all your thoughts and ideas to the audience.

COULD YOU NAME THREE MUSIC RECORDS THAT YOU WOULD TAKE WITH YOU TO A DESERT ISLAND?

I would take an album by Pavarotti, Mahler’s Symphony no.2, and some recording by musicAeterna.

DO YOU LISTEN TO YOUR OWN RECORDINGS?

I do. Sometimes, I listen to them and cannot believe my ears. I really like the way we sang pieces by Mozart and Brahms. Of course, one can start nitpicking — but in general, I enjoy our recordings greatly.

WHAT PART DO YOU DREAM OF PERFORMING?

In general, I am interested in any lyrical baritone part. But my number one choice would be the entirety of Mozart’s trilogy, of course.

musicAeterna choir events

An event of Diaghilev Festival

June 13, 20:00

Perm | House of Music (Shpagin plant)

Hændel. A Dedication Ceremony to George Frideric Handel. Opening concert of the festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

Sold out

An event of Diaghilev Festival

June 14, 20:00