Anastasia Gulyaeva
In the choir since 2011
Anastasia Gulyayeva was born in Perm, Russia. She has been singing in a church choir since the age of 14. She graduated from Perm Music College in 1997 and from the Ural State Mussorgsky Conservatoire (specializing in academic choir conducting) in 2006. She is a laureate of the “Magical World of Backstage” International Contest of Vocal Arts (Saint Petersburg, 2011) and the winner of the “Young Conductors of Prikamye” competition (Perm, 1996).
In 2006 – 2009, Anastasia Gulyayeva performed with the choir of the Tchaikovsky Perm State Opera and Ballet Theatre. Since 2011, she has been part of the musicAeterna choir. Artistic statement: There are three things that make a great singer: the brain, the ears, and the vocal cords — in that particular order.
At the same time, I have always dreamed of living in St. Petersburg. As a child, I only knew from hearsay about its architecture, history, the works of art that are concentrated here, and at some point fate smiled on me. The spirit of this city is very close to me, so now I am very happy to live and work here.
musicAeterna choir events
Francis Poulenc (1899–1963)
Quatre petites prières de saint François d’Assise (1948)
Salut, dame Sainte
Tout puissant, très saint
Seigneur, je vous en prie
O mes très chers frères
Frank Martin (1890–1974)
Messe pour double choeur a cappella (1922–26)
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
Benjamin Britten (1913–1976)
Ad Majorem Dei Gloriam, 7 settings of poems by Gerard Manley Hopkins on poems by Gerard Manley Hopkins, Op. 17 (1939)
Prayer I
Rosa mystica
God`s grandeur
Prayer II
O Deus, eg amo te
The soldier
Heaven-haven
musicAeterna Сhoir
Сhief Сhoirmaster Vitaly Polonsky
Сonductor Ivan Gorin
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano