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Anastasia Gulyaeva

In the choir since 2011

Anastasia Gulyayeva was born in Perm, Russia. She has been singing in a church choir since the age of 14. She graduated from Perm Music College in 1997 and from the Ural State Mussorgsky Conservatoire (specializing in academic choir conducting) in 2006. She is a laureate of the “Magical World of Backstage” International Contest of Vocal Arts (Saint Petersburg, 2011) and the winner of the “Young Conductors of Prikamye” competition (Perm, 1996).

In 2006 – 2009, Anastasia Gulyayeva performed with the choir of the Tchaikovsky Perm State Opera and Ballet Theatre. Since 2011, she has been part of the musicAeterna choir. Artistic statement: There are three things that make a great singer: the brain, the ears, and the vocal cords — in that particular order.

WHAT IS THE MOST UNUSUAL PLACE YOU HAVE EVER HAD TO PERFORM AT?
The Diaghilev Festival in Perm, during Anna Garafeeva’s body motion performance to Alexey Retinsky’s electronic music. Closer to the end of the performance, I had to say several lines that sounded more like hysterical weeping. Suddenly, I heard a lady whisper “Stop that!” Luckily, I did stop as it was the end of my part; otherwise, I would have probably been removed from the hall.
WHICH KIND OF MUSIC DO YOU FIND MORE EXCITING TO WORK WITH: MODERN OR CLASSICAL?
Modern for sure. It provides a lot of room for experiments with vocal techniques, mannerisms and styles. It might not even sound like singing but it is incredibly engaging. Modern music allows you to put in your own ideas rather than just follow the score. There is a certain flight of thought to it.
COULD YOU DESCRIBE YOUR TYPICAL SCHEDULE ON THE DAY OF A CONCERT?
Nothing special really happens. I just have to spend time to warm up, get dressed, get focused, skim through the scores and remember all the notes I made. I do not have any special rituals. The same goes for the time after the concert: I just talk to my colleagues and share my impressions. Then I remember there is work to do the next day (or we have to go to a different city if we are on tour), so I just relax and have a good rest.
PLEASE TELL US ABOUT YOUR FAVOURITE PLACES.
One of my favourite places is, of course, the Perm Krai, with its wide expanses, forests, and villages. Also, it is the village of Karagai, where my relatives live and where I feel always very welcome. As a child, I used to spend the summer with my grandmother in a remote village. These memories of warmth and care, the smells of meadows, forests and dew, of the taste of fresh milk and honey are incomparable with anything in the world! That is why, even now, when I have travelled almost half the world thanks to my tours, there is nothing more valuable for me than those places.

At the same time, I have always dreamed of living in St. Petersburg. As a child, I only knew from hearsay about its architecture, history, the works of art that are concentrated here, and at some point fate smiled on me. The spirit of this city is very close to me, so now I am very happy to live and work here.

musicAeterna choir events

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Samuel Barber (1910–1981)
Adagio for string orchestra in B-flat minor, Op. 11 (1936), arranged for choir by Sergei Anashkin

Giya Kancheli (1935–2019)
Lulling the Sun for mixed choir and percussion (2008)

Alfred Schnittke (1934–1998)
Three Sacred Hymns for a capella mixed choir (1984)

Hail Mary, Full of Grace
Lord Jesus Christ
Our Father

Sergei Rachmaninoff (1873–1943)
Fragments from the Liturgy of St John Chrysostom, op. 31 (1910)

Bless the Lord, O My Soul
Praise Ye the Name of the Lord in Heaven,
Our Father
Blessed Be the Name of the Lord

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Katia Tchemberdji (b. 1960)
Nur zu weinen und zu singen…
Oratorio for orchestra, mixed choir and tenor solo set to the poems by Joseph Brodsky (2023). WORLD PREMIERE

I. Death alone gathers us
II. Clouds float over the grove
III. We want to be playing tag on the green
IV. But tell me, soul, what was the look of life
V. We won’t go up the hill anymore

Richard Wagner (1813–1883)
Der Ring Ohne Worte | The Ring Without Words
Symphonic suite based on the opera tetralogy The Ring of the Nibelung by Lorin Maazel (1987)

I. Das Rheingold |The Rhinegold
II. Die Walküre | The Valkyrie
III. Siegfried
IV. Götterdämmerung | The Twilight of the Gods

The musicAeterna Orchestra
Conductor Teodor Currentzis