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Andrey Baranenko

In the orchestra since 2023

Andrey Baranenko graduated from the Rimsky-Korsakov St. Petersburg State Conservatory (the class of A.M. Sandler, 2011, as well as electives in the specialties “symphonic conducting” and “organ”). From 2012 to 2014, he completed an internship at the Tchaikovsky Moscow State Conservatory (the class of Professor A.Z. Bonduryansky), in 2020 completed an internship at the St. Petersburg State Conservatory (the class of Professor S.A. Uryvaev).

He is the laureate of international competitions. Andrey Baranenko maintains an active concert career in Russia and abroad as a soloist and member of various ensembles and orchestras. He collaborates with such collectives as the Mikhailovsky Theatre Orchestra, the Academic Symphony Orchestra of the St. Petersburg State Philharmonia, the Maestro Orchestra, IP Orchestra, and others.

He is a consultant to the charitable organizations for support of young musicians — Vladimir Krainev Charity Fund and Vladimir Spivakov Foundation in St. Petersburg. He has recorded on television, radio, and on the main sound carriers.

WHAT WERE YOUR FIRST MUSICAL IMPRESSIONS?
Among the very first and strong impressions of piano music are the creations of the genius Sergei Rachmaninoff, as well as a concert by the famous musician Vladimir Krainev. Later I became the winner of his contest.
DO YOU HAVE A RITUAL BEFORE EVERY TIME YOU GO ON STAGE?
Before each performance, there are points that need to be checked. Such as lighting that should not dazzle, a banquette that should be at a comfortable level, and of course, a working instrument. For example, it is important to make sure that the piano is securely fastened and its wheels are fixed in the right position. It happened to me a couple of times that the pianos were ready to roll away when I pressed the "gas pedal".
WHEN DID YOU FIRST MEET MUSICAETERNA?
As a listener, I first got acquainted with musicAeterna through recordings of performances, and in 2019 I was invited to participate in the performance of Prokofiev's Romeo and Juliet. The super-expression of the maestro and the musicians made me fall in love with this collective for the rest of my life. Tchaikovsky's Fourth Symphony performed by Teodor and the orchestra was particularly impressive. I am very happy that now I can constantly work with such professionals!
WHAT DO YOU LIKE TO PLAY FOR YOURSELF AND FRIENDS AT LEISURE?
In a circle of friends I can play pop and rock hits, as well as themes from good films, especially Soviet ones! From time to time I take part in concerts with such music. In general, I like to perform good works regardless of the era, be it classics or works by contemporary composers.
WHO INFLUENCED YOU AND DETERMINED YOUR INTEREST IN MUSIC?
My parents and my spouse are opera singers, which, of course, adds to my experience as an accompanist. Mom and dad worked in musical theatres all their lives, so from the age of three I frequented behind the scenes. That, of course, influenced my future fate — as well as working with my first teacher Rimma Borisovna Zhukova, and later with Alexander Mikhailovich Sandler. Now, thanks to them, I can't imagine myself without music and stage.

musicAeterna orchestra events

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Gustav Mahler (1860-1911)
Symphony No. 5 in C Sharp Minor (1902)

  1. Trauermarsch. Im gemessenen Schritt. Streng. Wie ein Kondukt | At a measured pace. Strict. Like a funeral procession
  2. Stürmisch bewegt. Mit grösster Vehemenz | Moving stormily. With the greatest vehemence
  3. Scherzo. Kräftig, nicht zu schnell | Strong and not too fast
  4. Adagietto. Sehr langsam | Very slow
  5. Rondo-Finale. Allegro, Allegro giocoso

Richard Wagner (1813-1883)
The Prelude and the Death of Isolde from the opera Tristan and Isolde (1857-1859)

Performers:
The musicAeterna Orchestra
Conductor Teodor Currentzis

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Johannes Brahms (1833-1897)
Concerto for Violin and Orchestra in D Major, Op. 77 (1878)
Allegro non troppo
Adagio
Allegro giocoso — Poco piu presto

Dmitri Shostakovich (1906-1975)
Symphony No. 5 in D Minor, Op. 47 (1937)
Moderato
Allegretto
Largo
Allegro non troppo

Performers:
The musicAeterna Orchestra
Soloist Olga Volkova, violin
Conductor Teodor Currentzis

 

 

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Gustav Mahler (1860-1911)
Symphony No. 5 in C Sharp Minor (1902)

  1. Trauermarsch. Im gemessenen Schritt. Streng. Wie ein Kondukt | At a measured pace. Strict. Like a funeral procession
  2. Stürmisch bewegt. Mit grösster Vehemenz | Moving stormily. With the greatest vehemence
  3. Scherzo. Kräftig, nicht zu schnell | Strong and not too fast
  4. Adagietto. Sehr langsam | Very slow
  5. Rondo-Finale. Allegro, Allegro giocoso

Richard Wagner (1813-1883)
The Prelude and the Death of Isolde from the opera Tristan and Isolde (1857-1859)

Performers:
The musicAeterna Orchestra
Conductor Teodor Currentzis

+

Johannes Brahms (1833-1897)
Concerto for Violin and Orchestra in D Major, Op. 77 (1878)
Allegro non troppo
Adagio
Allegro giocoso — Poco piu presto

Dmitri Shostakovich (1906-1975)
Symphony No. 5 in D Minor, Op. 47 (1937)
Moderato
Allegretto
Largo
Allegro non troppo

Performers:
The musicAeterna Orchestra
Soloist Olga Volkova, violin
Conductor Teodor Currentzis

 

 

+

Gustav Mahler (1860-1911)
Symphony No. 5 in C Sharp Minor (1902)

  1. Trauermarsch. Im gemessenen Schritt. Streng. Wie ein Kondukt | At a measured pace. Strict. Like a funeral procession
  2. Stürmisch bewegt. Mit grösster Vehemenz | Moving stormily. With the greatest vehemence
  3. Scherzo. Kräftig, nicht zu schnell | Strong and not too fast
  4. Adagietto. Sehr langsam | Very slow
  5. Rondo-Finale. Allegro, Allegro giocoso

Richard Wagner (1813-1883)
The Prelude and the Death of Isolde from the opera Tristan and Isolde (1857-1859)

Performers:
The musicAeterna Orchestra
Conductor Teodor Currentzis