Second Violins

Ekaterina Romanova

In the orchestra since 2005

Ekaterina Romanova started learning to play the violin when she was 5 years old. While studying at the Suzuki lyceum in Barnaul, she took part in Zakhar Bron’s master classes along with competitions and concerts with orchestra (including a tour around Japan). In 2002, Ekaterina Romanova was accepted to the Barnaul music college (Y.Y. Gaikolov’s class); in 2004, she entered the Novosibirsk music college (M.A. Kuzina’s class). In 2006, she began her education at the Novosibirsk Glinka State Conservatory (M.A. Kuzina’s class). She obtained her master’s degree in 2012.

Ekaterina Romanova is a laureate of various competitions, including the ones in Ukraine (2008), Czech Republic (2008), Italy/Austria (2009), and Russia (chamber ensemble competition in Ekaterinburg, 2010). In 2011, she founded the “el tango” music ensemble, which went on to become a laureate of the “Libertango” competition in Russia.

Since 2005, Ekaterina Romanova has been a member of the musicAeterna orchestra. She has taken part in all of the orchestra’s recordings to date.

WHO OR WHAT HAS BEEN YOUR BIGGEST INFLUENCE, BOTH AS A PERSON AND AS A MUSICIAN?

Since my very first days, I’ve been surrounded by the air of music and by people fully devoted to this beautiful art. My biggest influences are my mother (who is a cellist herself) and my teachers — particularly my first music teacher who opened the Suzuki lyceum in Barnaul. The lyceum is a prestigious school that uses the unique teaching methods of Sh. Suzuki, a Japanese violinist and teacher. My conservatory professor became my closest friend and mentor. When I was an untamed youth, she always supported me and helped me to implement even the craziest of my ideas, no matter how wild they seemed in my conservative surroundings.

WHAT INSPIRES YOU?

I draw my greatest inspiration from people. From different ones: friends and strangers, big and small, tough and easy-going, happy and sad. I’m teaching myself to see beauty in people.

WHAT DO YOU VALUE THE MOST IN WORKING WITH MUSICAETERNA?

I started working here when I was 18. Like many others, I was enchanted by Teodor’s personality, his ideas, his attitude to music, his love towards everyone, his patience and attentiveness to every musician in the ensemble. He felt like an older brother to us: he praised us, scolded us, helped us with our studies and sometimes bought plane tickets so that we could go to competitions or festivals. We gave presents to each other and made a point to celebrate every birthday, every holiday together. We watched movies and listened to music in each other’s company. We went home early in the morning and were back at the rehearsal at 11a.m. As a result, our ensemble now feels like a wonderful family where anger and envy have no place. Everyone here feels loved and needed.

musicAeterna orchestra events

An event of Diaghilev Festival

June 13, 20:00

Perm | House of Music (Shpagin plant)

Hændel. A Dedication Ceremony to George Frideric Handel. Opening concert of the festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

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An event of Diaghilev Festival

June 14, 20:00