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Sopranos

Elena Podkassik

In the choir since 2013

Born in 1979 in Mariupol (Ukraine), she graduated from the Norilsk College of Arts as a choral conductor (2004) and the Sveshnikov Academy of Choral Art with a degree in Vocal Arts (2009).

Since 2011, she has been a soloist of the musicAeterna choir. She founded the female quartet JazzAeterna (since 2019 known as musicAeterna 4).

Before collaborating with musicAeterna, she worked in Moscow as a soloist of the Sveshnikov State Academic Russian Choir and the Moscow Chamber Musical Theatre Choir. She was also a choirmaster at the Church of the Holy Tsar-Martyr Nicholas II and a vocal teacher.

Her accomplishments include awards of international and regional composition and vocal competitions.

WHAT DO YOU USUALLY DO ON THE DAY OF A CONCERT?
My morning always starts with yoga or a gym session where I do breathing exercises and work on my abs. Then I have breakfast, take a shower, do a singing warm-up and go to the rehearsal. I also like to take a walk on the day of the performance. Sparsely populated places work best, so I usually walk along the embankment, in the woods or in a graveyard. This helps me focus and get ready for the concert. Right before going up on stage, I usually say the Lord’s Prayer. It makes me feel calm, confident and hopeful for a great performance.
DO YOU LIKE TO SPEND YOUR FREE TIME ALONE OR WITH YOUR FRIENDS?
In fact, I prefer being alone, or with a person that does not mind us both keeping silent. I am a part of a large troupe; we all communicate with each other very closely, and sometimes I just need a little bit of solitude. I would love to spend a week on an uninhabited island.
WHAT MUSIC RECORDS WOULD YOU TAKE WITH YOU TO THAT ISLAND?
I would definitely choose a few albums by the Trigolos folklore ensemble. They spent 10 years recording folk songs — the ones our grandmothers used to sing — in Russian villages. Their music inspires me greatly: it gives me a sense of nature, a sense of true life. Folk music is very natural. Other than that, I would of course take recordings of Mozart being performed by Teodor Currentzis and musicAeterna. Teodor’s recordings always stand out from the rest: everything is performed and produced in such a neat manner. That’s ingenious, really.
WHAT DOES MUSICAETERNA MEAN TO YOU?
MusicAeterna is a creative process that lets you discover new facets of your own self and get closer to the unreachable ideal. It is the process of infinite creative search and constant development of your professional skills and abilities.

musicAeterna choir events

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Hildegardof Bingen (1098–1179)
O virga ac diadema | O branch and diadem
sequence

Teodor Currentzis
Alleluia

Φῶς ἱλαρὸν | O Gladsome Radiance
the entrance chant of Great Vespers, the Byzantine tradition

Sergei Rachmaninoff (1873–1943)
 Voskres iz groba |Christ is risen from the grave
Troparion No. 14 from the All-Night Vigil for mixed choir, Op. 37 (1915) 

Henryk Mikołaj Górecki (1933–2010)
Amen for mixed choir, Op. 35 (1975)

Ἐξομολογεῖσθε τῷ Κυρίῳ | Confess to the Lord
antiphon of the Byzantine tradition

Sub tuum praesidium | Under Your mercy we take refuge
hymn to the Virgin (3rd-4th century)

Alexander Knaifel (1943–2024)
Uteshityelyu | To thee, Comforter
Prayer to the Holy Spirit for mixed choir (1995)

Ave rex gentis anglorum | Hail, King of the English people
hymn to King Edward the Martyr (England, 11th century)

Francis Poulenc (1899–1963)
Ave verum corpus (1952)

Benjamin Britten (1913–1976)
A Hymn to the Virgin for double choir (1930)

Teodor Currentzis
Εωθινόν | Morning Chant (2022)

Improvisation on Bikapo sound sculptures

The programme is subject to change.

Musical Director and Conductor Teodor Currentzis
Stage Director Anna Guseva
Choirmaster Vitaly Polonsky
Choreographer Aisylu Mirhafizkhan
Lighting Designer Natalia Tuzova

Performers:

musicAeterna Choir
musicAeterna Dance
musicAeterna Orchestra soloists and guest artists:
Alexander Shirunov, accordion
Sasha Listova, piano
Andrey Baranenko, organ
Alexey Amosov, Andrey Volosovsky, Maxim Sanin, percussion
Yiorgos Kaloudis, classical Cretan lyra
Maria Zorkina, lever harp
Olga Komok, organetto

Bikapo improvisation performers:
Lada Raskolnikova
Alexey Sulin
Mikhail Myasoyedov
Eleonora Myasoyedova

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Hildegardof Bingen (1098–1179)
O virga ac diadema | O branch and diadem
sequence

Teodor Currentzis
Alleluia

Φῶς ἱλαρὸν | O Gladsome Radiance
the entrance chant of Great Vespers, the Byzantine tradition

Sergei Rachmaninoff (1873–1943)
 Voskres iz groba |Christ is risen from the grave
Troparion No. 14 from the All-Night Vigil for mixed choir, Op. 37 (1915) 

Henryk Mikołaj Górecki (1933–2010)
Amen for mixed choir, Op. 35 (1975)

Ἐξομολογεῖσθε τῷ Κυρίῳ | Confess to the Lord
antiphon of the Byzantine tradition

Sub tuum praesidium | Under Your mercy we take refuge
hymn to the Virgin (3rd-4th century)

Alexander Knaifel (1943–2024)
Uteshityelyu | To thee, Comforter
Prayer to the Holy Spirit for mixed choir (1995)

Ave rex gentis anglorum | Hail, King of the English people
hymn to King Edward the Martyr (England, 11th century)

Francis Poulenc (1899–1963)
Ave verum corpus (1952)

Benjamin Britten (1913–1976)
A Hymn to the Virgin for double choir (1930)

Teodor Currentzis
Εωθινόν | Morning Chant (2022)

Improvisation on Bikapo sound sculptures

The programme is subject to change.

Musical Director and Conductor Teodor Currentzis
Stage Director Anna Guseva
Choirmaster Vitaly Polonsky
Choreographer Aisylu Mirhafizkhan
Lighting Designer Natalia Tuzova

Performers:

musicAeterna Choir
musicAeterna Dance
musicAeterna Orchestra soloists and guest artists:
Alexander Shirunov, accordion
Sasha Listova, piano
Andrey Baranenko, organ
Alexey Amosov, Andrey Volosovsky, Maxim Sanin, percussion
Yiorgos Kaloudis, classical Cretan lyra
Maria Zorkina, lever harp
Olga Komok, organetto

Bikapo improvisation performers:
Lada Raskolnikova
Alexey Sulin
Mikhail Myasoyedov
Eleonora Myasoyedova