Sopranos

Elena Podkassik

In the choir since 2013

Born in 1979 in Mariupol (Ukraine), she graduated from the Norilsk College of Arts as a choral conductor (2004) and the Sveshnikov Academy of Choral Art with a degree in Vocal Arts (2009).

Since 2011, she has been a soloist of the musicAeterna choir. She founded the female quartet JazzAeterna (since 2019 known as musicAeterna 4).

Before collaborating with musicAeterna, she worked in Moscow as a soloist of the Sveshnikov State Academic Russian Choir and the Moscow Chamber Musical Theatre Choir. She was also a choirmaster at the Church of the Holy Tsar-Martyr Nicholas II and a vocal teacher.

Her accomplishments include awards of international and regional composition and vocal competitions.

WHAT DO YOU USUALLY DO ON THE DAY OF A CONCERT?

My morning always starts with yoga or a gym session where I do breathing exercises and work on my abs. Then I have breakfast, take a shower, do a singing warm-up and go to the rehearsal. I also like to take a walk on the day of the performance. Sparsely populated places work best, so I usually walk along the embankment, in the woods or in a graveyard. This helps me focus and get ready for the concert. Right before going up on stage, I usually say the Lord’s Prayer. It makes me feel calm, confident and hopeful for a great performance.

DO YOU LIKE TO SPEND YOUR FREE TIME ALONE OR WITH YOUR FRIENDS?

In fact, I prefer being alone, or with a person that does not mind us both keeping silent. I am a part of a large troupe; we all communicate with each other very closely, and sometimes I just need a little bit of solitude. I would love to spend a week on an uninhabited island.

WHAT MUSIC RECORDS WOULD YOU TAKE WITH YOU TO THAT ISLAND?

I would definitely choose a few albums by the Trigolos folklore ensemble. They spent 10 years recording folk songs — the ones our grandmothers used to sing — in Russian villages. Their music inspires me greatly: it gives me a sense of nature, a sense of true life. Folk music is very natural. Other than that, I would of course take recordings of Mozart being performed by Teodor Currentzis and musicAeterna. Teodor’s recordings always stand out from the rest: everything is performed and produced in such a neat manner. That’s ingenious, really.

WHAT DOES MUSICAETERNA MEAN TO YOU?

MusicAeterna is a creative process that lets you discover new facets of your own self and get closer to the unreachable ideal. It is the process of infinite creative search and constant development of your professional skills and abilities.

musicAeterna choir events

October 11, 19:00

Moscow | Zaryadye Hall

Hændel. A Dedication Ceremony to George Frideric Handel

Georg Friedrich Handel (1685–1759)

Prelude

Augelletti, ruscelletti, the aria of Maria Kleopova from the oratorio La resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

Disserratevi, o porte d’Averno, the aria of Angel from the oratorio La resurrezione, HWV 47 (1708)

Ah! Crudel nel pianto mio, the aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

As with Rosy Steps the Morn, the aria of Irina from the oratorio Theodora, HWV 68 (1750)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Pena tiranna, the aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Eternal Source of Light Divine, fragment from the cantata Ode for the Birthday of Queen Anne, HWV 74 (1713)

Alla Hornpipe, No. 2 from the orchestral suite
The Water Music No. 2 in D Major, HWV 349 (1716–1717)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Piangerò la sorte mia, the aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Ah! Stigie larve — Vaghe pupille, the recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)

Performers:

artists of the Anton Rubinstein Academy
Tatiana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
Ksenia Dorodova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Sofia Tsygankova, soprano
Andrey Nemzer, countertenor, soloist and vocal coach of the Anton Rubinstein Academy
musicAeterna Choir and Orchestra
musicAeterna Dance troupe

Music Director and Conductor Teodor Currentzis
Stage Director Elizaveta Moroz
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Production Designer, Costume Designer Sergey Illarionov
Choreographer Valentina Lutsenko

Buy Ticket

October 17, 22:30

Madrid | Auditorio Nacional de Música