Grigory Kuznetsov
In the choir since 2019
Grigoriy Kuznetsov graduated with honours from the Popov Choral Arts Academy (vocal department) in 2013.
As a soloist at the Academy choir, he performed at the best concert halls of Russia, Germany, France, Switzerland and Japan. He participated in such international festivals as Sion Festival (tenor part in Schubert’s Messe G-Dur; Switzerland, 2016) and Oldenburger Promenade (tenor part in Bach’s Messe G-Moll; Germany, 2012), as well as in the concert performance of “Orango” by Shostakovich conducted by Esa-Pekka Salonen (Moscow, 2014).
In 2013–2015, Grigoriy Kuznetsov was a soloist at the Yurlov Russian Academic Choir Capella. In 2015–2019, he was a soloist at the Kozhevnikov Moscow State Academic Choir.
He has participated in such opera productions as “Eugene Onegin” by Tchaikovsky (as Lensky at Durance Luberon festival, France), “Il viaggio a Reims” by Rossini (as Chevalier Belfiore at Oldenburger Promenade festival, Germany), and “Le nozze di Figaro” by Mozart (as Don Basilio in Sarov, Krasnoyarsk and Moscow). Since 2018, Grigoriy has been collaborating with the “Intrada” and “Old Russian Chant” ensembles.
Grigoriy Kuznetsov is a laureate of the “Amber Nightingale” international competition (2016, Kaliningrad) and the international competition in Lempäälä (2012, Finland). He is also a scholar of the Muslim Magomaev Foundation (2012–2013) and a laureate of the Popov award (2013).
In 2016, Grigoriy Kuznetsov completed his postgraduate studies at the Popov Choral Arts Academy (musicology department). In 2018, he defended his thesis to pursue the degree of Candidate of Art History.
Since 2019, Grigoriy Kuznetsov has been a member of the musicAeterna choir.
musicAeterna choir events
Francis Poulenc (1899–1963)
Quatre petites prières de saint François d’Assise (1948)
Salut, dame Sainte
Tout puissant, très saint
Seigneur, je vous en prie
O mes très chers frères
Frank Martin (1890–1974)
Messe pour double choeur a cappella (1922–26)
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
Benjamin Britten (1913–1976)
Ad Majorem Dei Gloriam, 7 settings of poems by Gerard Manley Hopkins on poems by Gerard Manley Hopkins, Op. 17 (1939)
Prayer I
Rosa mystica
God`s grandeur
Prayer II
O Deus, eg amo te
The soldier
Heaven-haven
musicAeterna Сhoir
Сhief Сhoirmaster Vitaly Polonsky
Сonductor Ivan Gorin
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano