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Sopranos

Irina Terentyeva

In the choir since 2019

Irina Terentyeva is a graduate of the Ulyanovsk music college (choir conducting) and the Gnessin State Music College (vocal performance).

In 2011, she completed her studies at the Popov Choral Arts Academy (vocal performance). During her studies, Irina participated in numerous tours to Germany, Switzerland, Austria, France, Greece and Japan together with the student choir, where she frequently performed as a soloist.

In 2008–2014, she was a member of the “Madrigal” soloist ensemble. In 2014–2019, she was a soloist at the Moscow Regional Philharmonic. Since autumn 2019, Irina Terentyeva has been a member of the musicAeterna choir.

WHAT MADE YOU DECIDE TO BECOME A MUSICIAN?
I became interested in music back in my early childhood. We had a record of “Tales from the Vienna Woods” at home; my mother says I always used to start singing whenever it was put on. So when my parents suggested I should go to music school, I didn’t think twice.
WHAT PART DOES MUSIC PLAY IN YOUR LIFE?
It’s my job, my favourite pastime, my feelings and my mood. Music is my life.
WHAT MAKES MUSICAETERNA STAND OUT?
Teodor Currentzis for sure. As soon as he starts conducting, everything changes. You get an instant surge of inspiration and it becomes crystal clear what you’re supposed to do. Teodor is an incredibly charismatic person — it took me by surprise when I first met him.
ASIDE FROM MUSIC, WHAT ELSE ARE YOU INTERESTED IN?
Dancing, of course. As a child, I used to study ballet dancing — and I hope to resume that if I get a chance. Aside from that, pretty much anything can influence me in some way and give me certain emotions: books, art, cinema, nature, smells. Emotions are crucial to me. Even my voice doesn’t sound the same if I’m disinterested.
WHAT IS YOUR TYPICAL SCHEDULE ON THE DAY OF A CONCERT?
It’s totally ordinary, really. I just make sure I’m well-rested and not hungry.
WHAT IS YOUR “DESERT ISLAND” MUSIC ALBUM?
Pietro Locatelli’s violin concertos, I guess. That music is gorgeous — I could listen to it forever.

musicAeterna choir events

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Francis Poulenc (1899–1963)
Quatre petites prières de saint François d’Assise (1948)
Salut, dame Sainte
Tout puissant, très saint
Seigneur, je vous en prie
O mes très chers frères

Frank Martin (1890–1974)
Messe pour double choeur a cappella (1922–26)
Kyrie
Gloria
Credo
Sanctus
Agnus Dei

Benjamin Britten (1913–1976)
Ad Majorem Dei Gloriam, 7 settings of poems by Gerard Manley Hopkins on poems by Gerard Manley Hopkins, Op. 17 (1939)
Prayer I
Rosa mystica
God`s grandeur
Prayer II
O Deus, eg amo te
The soldier
Heaven-haven

musicAeterna Сhoir
Сhief Сhoirmaster Vitaly Polonsky
Сonductor Ivan Gorin

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Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)

Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo

The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis

Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano

Sold out
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Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)

Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo

The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis

Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano

Sold out
+

Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)

Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo

The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis

Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano

Sold out
+

Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)

Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo

The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis

Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano

Sold out