Top.Mail.Ru
© Olya Runyova Ⓘ
Tenors

Konstantin Pogrebovsky

In the choir since 2015

Konstantin Pogrebovsky was born in the Udmurt Republic. In 2005, he graduated from the choir and conducting department at the Republican music college in Izhevsk (E. Shishkina’s class). He was later accepted to the conducting faculty at the Popov Choral Arts Academy (prof. V. Safonova’s class). Together with the academy choir, he went on tours to Switzerland, Japan and Germany.

In 2011–2012, Konstantin Pogrebovsky was a member of the Sverdlovsk Philharmonic Symphony choir.

Since 2012, Konstantin Pogrebovsky has been a member of the musicAeterna choir.

Read more…

His repertoire includes the following parts: Misail (“Boris Godunov” by Mussorgsky), Triquet (“Eugene Onegin” by Tchaikovsky), Lopez, the Second Monk (“Betrothal in a Monastery” by Prokofiev), Minstrel (“Maid of Orleans” by Tchaikovsky), Le Doyen (“Cendrillon” by Massenet), Chancellor, April, May, the First Herald (“Twelve Months” by Banevich), Master of Ceremonies (“Queen of Spades” by Tchaikovsky).

CAN YOU IMAGINE BEING ANYTHING ELSE BUT A MUSICIAN?
I’ve actually worked a whole bunch of jobs before: a courier, a mover… I even handed out flyers for a while.
WHAT MADE YOU BECOME A MUSICIAN THEN?
I’ve been surrounded by music since childhood. My mother is a solfège and piano teacher at an arts school. She brought me to music school, and I haven’t considered doing anything else for a living ever since. Of course, there are some other things I’d like to try my hand at, such as music management or logistics. The world has a lot of interesting stuff — but for now, I choose to focus on my creative work and try to achieve whatever I can in that area.
WHAT THREE RECORDINGS ARE YOUR “DESERT ISLAND” ONES?
When stranded on a desert island, you either build something new, or you go back mentally to something that makes you feel warm inside. So I’d probably choose the recordings of pieces I’ve played before: “Aida”, “Jeanne aû bucher”, and Mahler’s “Symphony No.8”. Those are always nice to reminisce about.
DOES LISTENING TO A MUSIC PIECE FEEL DIFFERENT TO PLAYING IT?
Yes, the feeling is distinctly different. But even as a listener, I perceive the music from an artistic standpoint: I feel for the performers, try to help them mentally, imagine the ways I would play the piece myself. I can’t just go and listen to music.
WHAT DOES MUSICAETERNA MEAN TO YOU?
First and foremost, it is an opportunity to work at the highest professional level. It’s a chance for me to push beyond my own limits, learn something new, and bring my skills to perfection.

musicAeterna choir events

+
April 26, 20:00
St. Petersburg | Nevsky, 62
Ο ῎Αγγελος ἐβόα: musicAeterna byzantina and musicAeterna Concert
Choral concert

Ἄξιόν ἐστιν ὡς ἀληθῶς μακαρίζειν σε τὴν Θεοτόκον, τὴν ἀειμακάριστον καὶ παναμώμητον καὶ μητέρα τοῦ Θεοῦ ἡμῶν.

It is truly meet to bless thee, O Theotokos, the ever-blessed and most pure Mother of our God.

Concert from the “Night Vigils” Series
Αγγελος ἐβόα / “Angel Cried Out”
Performed by musicAeterna & musicAeterna Byzantina Choirs
musicAeterna Women’s Choir
Chief Choirmaster: Vitaly Polonsky
Choirmaster: Katya Dondukova
musicAeterna Byzantina Choir
Choirmaster: Antonios Koutroupis

Ribal Wehbe (vocals, Lebanon)
Yorgos Kaloudis (classical Cretan lyra, Greece)
Alla Kazakova (actress)
Conductor: Teodor Currentzis
Director: Elizaveta Moroz

 

 

Sold out
+
April 27, 20:00
St. Petersburg | Nevsky, 62
Ο ῎Αγγελος ἐβόα: musicAeterna byzantina and musicAeterna Concert
Choral concert

Ἄξιόν ἐστιν ὡς ἀληθῶς μακαρίζειν σε τὴν Θεοτόκον, τὴν ἀειμακάριστον καὶ παναμώμητον καὶ μητέρα τοῦ Θεοῦ ἡμῶν.

It is truly meet to bless thee, O Theotokos, the ever-blessed and most pure Mother of our God.

Concert from the “Night Vigils” Series
Αγγελος ἐβόα / “Angel Cried Out”
Performed by musicAeterna & musicAeterna Byzantina Choirs
musicAeterna Women’s Choir
Chief Choirmaster: Vitaly Polonsky
Choirmaster: Katya Dondukova
musicAeterna Byzantina Choir
Choirmaster: Antonios Koutroupis

Ribal Wehbe (vocals, Lebanon)
Yorgos Kaloudis (classical Cretan lyra, Greece)
Alla Kazakova (actress)
Conductor: Teodor Currentzis
Director: Elizaveta Moroz

Sold out
+
May 7, 20:00
St. Petersburg | Nevsky, 62
Concert of the musicAeterna Choir. The sacred music of Poulenc and Britten

The musicAeterna Choir continues its exploration of the sacred music of two Western European classics of the 20th century — Francis Poulenc and Benjamin Britten — in a concert to be held at Dom Radio, 62 Nevsky Prospect.

Sold out
+
An event of Diaghilev Festival
June 13, 20:00
Perm | House of Music (Shpagin plant)
Hændel. A Dedication Ceremony to George Frideric Handel. Opening concert of the festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

+
An event of Diaghilev Festival
June 14, 20:00
Perm | House of Music (Shpagin plant)
Hændel. A Dedication Ceremony to George Frideric Handel. Opening concert of the festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis