Nikolay Basov
In the choir since 2019
Nikolai Basov was born on August 27, 1985 in Weimar, East Germany. He graduated with honours from the Sveshnikov College and the Popov Choral Arts Academy with a specialty in choir conducting. While studying at the Sveshnikov College, he also finished Children’s music school №18 where he studied saxophone. He spent about 3 years learning Irish dancing (ballet and step dancing). As a student, Nikolai also worked as a performer and assistant chorus master at the “Drama Art School” theatre directed by A. Vasiliev. Following his graduation from the Academy, Nikolai became a member of the Big Academic Choir.
Nikolai Basov is a regular performer at the “December Nights” and “Comeback” music festivals. As a soloist, he has performed with the “Intrada” and “Questa musica” vocal ensembles (directed by Ekaterina Antonenko and Philipp Chizhevsky, respectively) for 9 years.
For the past 6 years, Nikolai has been interested in modern avant garde and experimental music. He is one of the regular performers in the “Drillalians” opera series (composers: Kurliandsky, Syumak, Nevsky, Sysoev, Filanovsky, Rannev) which premiered at the “Stanislavsky Electric Theatre” during the 2014-2015 season.
In 2014–2018, Nikolai Basov studied vocal performance under Honoured Artist of Russia, Fyodor Mikhailovich Anikeev. In 2018, Nikolai made his solo debut along with Vladimir Yurovski at the “Another Space” festival: they presented the premiere of Boris Filanovsky’s oratorio for soloists, extended violin, accordion, choir and orchestra at Tchaikovsky Concert Hall. In January 2019, Nikolai Basov performed Father’s part in the “Nutcracker in Zaryadye” ballet/opera/fairy-tale set to Tchaikovsky’s music (producers: Pavel Kaplevich and Yulia Morozova; director: Nina Tchusova; visual artist: Andrey Bartenev; conductor: Philipp Chizhevsky).
Since autumn 2019, Nikolai Basov has been a member of the musicAeterna choir.
musicAeterna choir events
Francis Poulenc (1899–1963)
Quatre petites prières de saint François d’Assise (1948)
Salut, dame Sainte
Tout puissant, très saint
Seigneur, je vous en prie
O mes très chers frères
Frank Martin (1890–1974)
Messe pour double choeur a cappella (1922–26)
Kyrie
Gloria
Credo
Sanctus
Agnus Dei
Benjamin Britten (1913–1976)
Ad Majorem Dei Gloriam, 7 settings of poems by Gerard Manley Hopkins on poems by Gerard Manley Hopkins, Op. 17 (1939)
Prayer I
Rosa mystica
God`s grandeur
Prayer II
O Deus, eg amo te
The soldier
Heaven-haven
musicAeterna Сhoir
Сhief Сhoirmaster Vitaly Polonsky
Сonductor Ivan Gorin
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano