Top.Mail.Ru
Tenors

Nikolay Fedorov

In the choir since 2014

Nikolai Fedorov is a laureate of the “White Acacia” International Russian romance competition (Yoshkar-Ola, 2009) and the “Cantabile” vocal competition (Perm, 2013).

Nikolai Fedorov studied vocal performance at the Izhevsk music college under Nina Varacheva, People’s Artist of the Udmurt Republic. In 2015, he graduated from the Perm State Culture University where he had studied under Valentina Perova, Honoured Artist of the Sakha Republic (Yakutia).

In 2011, he became a member of the Major choir at the Perm State Opera and Ballet Theatre. Since the 2014/2015 season, Nikolai Fedorov has been a member of the musicAeterna choir.

WHAT DOES MUSIC MEAN TO YOU?
Music is a major part of my life. It always surrounds me, both at work and at home. I find being in silence uncomfortable: music makes life so much better. I don’t listen to classical music at home too often, though. I prefer more popular genres such as Russian rock music. Lyrics matter to me. I listen closely to what the song is trying to tell me. I rarely put music in the background.
WHAT DOES MUSICAETERNA SYMBOLIZE TO YOU?
The drive to push beyond the average and to be co-authors rather than craftsmen.
HOW DO YOU RELAX AFTER BIG PROJECTS?
Spending time with family and friends is the only way.
CAN YOU IMAGINE BEING ANYTHING ELSE BUT A MUSICIAN?
Definitely. I wanted to be a doctor when I was still at school. I was very interested in science. However, when I was close to graduation, I felt that music was still the way to go. This might have been fate — and I do believe in fate. Of course, I sometimes have doubts regarding my choice. I’m an introvert, so it’s not always easy for me to do my job in public. I’m always in the limelight, always looked at, so I have to struggle with myself. But my love towards music prevails in the end.
WHAT MUSIC DO YOU DREAM TO PERFORM?
I’d like to perform the part of the Yurodiviy in “Boris Godunov”. To my mind, that’s the quintessence of Russian music.

musicAeterna choir events

+
An event of Diaghilev Festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

Sold out
+
An event of Diaghilev Festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

Sold out
+
An event of Diaghilev Festival

Marina Tsvetaeva’s Evening Gathering
a cross-genre performance

Director: Elizaveta Moroz
Conductor: Evgeny Vorobyov
Set design: Sergey Kretenchuk
Lighting design: Alexander Romanov
Video art: Maria Varakhalina
Costumes: Elizaveta Moroz and Sergey Kretenchuk

Featuring:
Soloists of the musicAeterna choir and orchestra
musicAeterna Сhoir
Yanina Lakoba, actress

Sold out
+
An event of Diaghilev Festival

Playwright Bertolt Brecht
Composer Kurt Weill
Director Nina Vorobyeva
Set Designer Asya Mukhina
Lighting Designer Ruslan Mayorov
Choreographer Anna Garafeeva
Conductor Ilya Gaisin

Performers:
Guest artists
musicAeterna Orchestra and Choir

Sold out
+
An event of Diaghilev Festival

Playwright Bertolt Brecht
Composer Kurt Weill
Director Nina Vorobyeva
Set Designer Asya Mukhina
Lighting Designer Ruslan Mayorov
Choreographer Anna Garafeeva
Conductor Ilya Gaisin

Performers:
Guest artists
musicAeterna Orchestra and Choir

Sold out