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Second Violins

Robert Brem

In the orchestra since 2016

Robert Bram is a laureate of numerous international contests: Valsesia Musica Juniores (Italy, 2000, 1st prize), San Nicola (Italy, 2010, Grand Prix as part of the Sebastian Trio), The Fall Marathon (Russia, 2012, 1st prize as part of Quartet 432), Muses of the World (formerly known as Modern Art and Education; Russia, 2012, 1st prize as part of Quartet 432).

Together with Quartet 432, he is a laureate of the TIM international tournament (Paris, France).

Robert Bram is a participant and laureate of various international festivals, both as a soloist and as an ensemble member: the Romantic Music festival (Moscow), the Winter Path festival (Saint Petersburg), the SEMB individual projects festival (Moscow), Primavera Classica (Moscow), Uluslararasi Eskişehir Festival (Eskişehir, Turkey),

ENKA Kultur Sanat (Istanbul, Turkey), the VIIIth Mstislav Rostropovich International Festival (Baku, Azerbaijan), the International Diaghilev Festival (Perm, Russia), the Blossoming Ledum festival (Chita, Russia), the Russian-Chinese Cultural Forum (Jiangxi province, China).

He taught at the summer music school in Yevpatoria (Crimea, 2019). He is also the co-founder of the “Leonid Lundstrom’s Creative Workshop” autonomous NCO.

WHO IS YOUR BIGGEST MUSICAL INFLUENCE?
I think everyone I’ve met on my path has had some sort of influence on me. I’ve come across a great number of outstanding musicians who have helped me. I can clearly remember my very first teacher, the late Pyotr Danilovich Chavushian. He used to tell me to grab my towel and go practice. He meant that talent and inspiration weren’t enough: sometimes, one has to be patient and learn things over and over by heart — and the towel is needed to wipe the sweat from the forehead in the process!
WHAT DO YOU VALUE THE MOST IN WORKING WITH MUSICAETERNA?
The true life is the biggest value. Our work isn’t something static, it’s our life — as real as it can get. This is what I find the most appealing about it. I really like the idea about orchestra formation that I heard from my teacher (and someone I’m close to in spirit), Leonid Igorevich Lundstrom. He said a good conductor was a person who, through his orchestra, was able to transfer not his own thoughts but something “from above” to the audience. If this system works, then the real life happens. I believe musicAeterna is one of the few ensembles where it does work this way.
WHAT INSPIRES YOU TO CREATE?
My wife and my daughter. They support me and help me to stay cheerful.
DO YOU HAVE A DREAM?
Not a dream per se, but I do have goals. I believe, in fact, that one needs goals over dreams. At the moment, my goal is to record Georg Telemann’s 12 Fantasias for solo violin. I’ve already performed with this programme several times, and I hope to get down to recording pretty soon. What next? Time will tell.

musicAeterna orchestra events

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The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.

The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.

Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna

Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov

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Ludwig van Beethoven (1770–1827)
Symphony No. 4 in B-flat Major, Op. 60 (1806)

Adagio – Allegro vivace
Adagio
Allegro vivace
Allegro ma non troppo

Wolfgang Amadeus Mozart (1756–1791)
Symphony No. 41 in C Major, ‘Jupiter’, KV 551 (1788)

Allegro vivace
Andante cantabile
Menuetto: Allegretto
Molto allegro

Performers:
musicAeterna Orchestra
Conductor Teodor Currentzis

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