Talgat Sarsembayev
In the orchestra since 2004
Each professional musician’s story always starts with love towards music. Later on, they feel the need not only to express their own emotions through music, but also to understand the composer’s original message. Discovering this world of music-related data feels like going into outer space. It is up to you to decide whether you want to stay. The decision will come naturally.
To play the bassoon well, you need a certain reed. This is one of the main challenges of playing the bassoon: not everything depends on the skill of the musician and his mastery of the instrument, 70% of the sound depends on the reed. I've put a lot of years and effort into finding the right sound and the right reeds. Now I have a reed workshop at home. On vacation, I prepare material for the entire working season — reeds are made of bulrush. I sit down at eleven o'clock in the evening and can work until four in the morning: tie, soak, cut, dry. I take ten reeds with me on tour and just before the concert I select the right one: for Sochi it's this, for Dubai — that. Reeds reshape, react to the climate, and wear out.
musicAeterna orchestra events
George Frideric Handel (1685—1759)
Augelletti, ruscelletti, aria from the oratorio La resurrezione, HWV 47 (1708)
Zadok the Priest, coronation anthem № 1, HWV 258 (1727)
Disserratevi, o porte d’Averno, aria from the oratorio La resurrezione, HWV 47 (1708)
Ah! Crudel nel pianto mio, aris from the opera Rinaldo, HWV 78 (1711)
Overture to the opera Agrippina, HWV 6 (1709–1710)
As with Rosy Steps the Morn, aria from the oratorio Theodora, HWV 68 (1750)
De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)
Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)
Pena tiranna, aria from the opera Amadigi di Gaula, HWV 11 (1715)
Eternal Source of Light Divine, fragment from the Ode for the Birthday of Queen Anne, HWV 74 (1713)
Alla Hornpipe, № 2 from the suite for orchestra The Water Music № 2 in D major, HWV 349 (1716–1717)
Who Calls my Parting Soul from Death, duet from the oratorio Esther, HWV 50b (1732)
He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)
Piangerò la sorte mia, aria from the opera Giulio Cesare in Egitto, HWV 17 (1724)
Ah! Stigie larve — Vaghe pupille, recitative and aria from the opera Orlando, HWV 31 (1733)
O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)
Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)
Performers:
musicAeterna orchestra and choir
artists from the Anton Rubinstein Academy
Sofia Tsygankova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Ksenia Dorodova, soprano
Tatyana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
soloist and vocal coach of the Anton Rubinstein
Academy Andrey Nemzer, countertenor
Conductor — Teodor Currentzis
George Frideric Handel (1685—1759)
Augelletti, ruscelletti, aria from the oratorio La resurrezione, HWV 47 (1708)
Zadok the Priest, coronation anthem № 1, HWV 258 (1727)
Disserratevi, o porte d’Averno, aria from the oratorio La resurrezione, HWV 47 (1708)
Ah! Crudel nel pianto mio, aris from the opera Rinaldo, HWV 78 (1711)
Overture to the opera Agrippina, HWV 6 (1709–1710)
As with Rosy Steps the Morn, aria from the oratorio Theodora, HWV 68 (1750)
De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)
Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)
Pena tiranna, aria from the opera Amadigi di Gaula, HWV 11 (1715)
Eternal Source of Light Divine, fragment from the Ode for the Birthday of Queen Anne, HWV 74 (1713)
Alla Hornpipe, № 2 from the suite for orchestra The Water Music № 2 in D major, HWV 349 (1716–1717)
Who Calls my Parting Soul from Death, duet from the oratorio Esther, HWV 50b (1732)
He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)
Piangerò la sorte mia, aria from the opera Giulio Cesare in Egitto, HWV 17 (1724)
Ah! Stigie larve — Vaghe pupille, recitative and aria from the opera Orlando, HWV 31 (1733)
O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)
Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)
Performers:
musicAeterna orchestra and choir
artists from the Anton Rubinstein Academy
Sofia Tsygankova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Ksenia Dorodova, soprano
Tatyana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
soloist and vocal coach of the Anton Rubinstein
Academy Andrey Nemzer, countertenor
Conductor — Teodor Currentzis
George Frideric Handel (1685—1759)
Augelletti, ruscelletti, aria from the oratorio La resurrezione, HWV 47 (1708)
Zadok the Priest, coronation anthem № 1, HWV 258 (1727)
Disserratevi, o porte d’Averno, aria from the oratorio La resurrezione, HWV 47 (1708)
Ah! Crudel nel pianto mio, aris from the opera Rinaldo, HWV 78 (1711)
Overture to the opera Agrippina, HWV 6 (1709–1710)
As with Rosy Steps the Morn, aria from the oratorio Theodora, HWV 68 (1750)
De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)
Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)
Pena tiranna, aria from the opera Amadigi di Gaula, HWV 11 (1715)
Eternal Source of Light Divine, fragment from the Ode for the Birthday of Queen Anne, HWV 74 (1713)
Alla Hornpipe, № 2 from the suite for orchestra The Water Music № 2 in D major, HWV 349 (1716–1717)
Who Calls my Parting Soul from Death, duet from the oratorio Esther, HWV 50b (1732)
He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)
Piangerò la sorte mia, aria from the opera Giulio Cesare in Egitto, HWV 17 (1724)
Ah! Stigie larve — Vaghe pupille, recitative and aria from the opera Orlando, HWV 31 (1733)
O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)
Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)
Performers:
musicAeterna orchestra and choir
artists from the Anton Rubinstein Academy
Sofia Tsygankova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Ksenia Dorodova, soprano
Tatyana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
soloist and vocal coach of the Anton Rubinstein
Academy Andrey Nemzer, countertenor
Conductor — Teodor Currentzis