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Teodor Currentzis

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May 11, 19:00
Tashkent | Palace of International Forums «Uzbekistan»
Teodor Currentzis and musicAeterna: Tchaikovsky, Richard Strauss

Pyotr Tchaikovsky (1840–1893)

Symphony No. 5 in E minor, Op. 64 (1888)
Andante — Allegro con anima
Andante cantabile, con alcuna licenza
Waltz. Allegro moderato
Finale. Andante maestoso — Allegro vivace

Richard Strauss (1864–1949)

Four Last Songs for soprano and orchestra (1948)
Frühling (Spring) — lyrics by Hermann Hesse
September — lyrics by Hermann Hesse
Beim Schlafengehen (When Falling Asleep) — lyrics by Hermann Hesse
Im Abendrot (At Sunset) — lyrics by Joseph von Eichendorff

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May 13, 20:00
St. Petersburg | State Academic Capella
Teodor Currentzis and musicAeterna: Tchaikovsky, Richard Strauss

Pyotr Tchaikovsky (1840–1893)

Symphony No. 5 in E minor, Op. 64 (1888)
Andante — Allegro con anima
Andante cantabile, con alcuna licenza
Waltz. Allegro moderato
Finale. Andante maestoso — Allegro vivace

Richard Strauss (1864–1949)

Four Last Songs for soprano and orchestra (1948)
Frühling (Spring) — lyrics by Hermann Hesse
September — lyrics by Hermann Hesse
Beim Schlafengehen (When Falling Asleep) — lyrics by Hermann Hesse
Im Abendrot (At Sunset) — lyrics by Joseph von Eichendorff

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May 15, 20:00
St. Petersburg | State Academic Capella
Teodor Currentzis and musicAeterna: Tchaikovsky, Richard Strauss

Pyotr Tchaikovsky (1840–1893)

Symphony No. 5 in E minor, Op. 64 (1888)
Andante — Allegro con anima
Andante cantabile, con alcuna licenza
Waltz. Allegro moderato
Finale. Andante maestoso — Allegro vivace

Richard Strauss (1864–1949)

Four Last Songs for soprano and orchestra (1948)
Frühling (Spring) — lyrics by Hermann Hesse
September — lyrics by Hermann Hesse
Beim Schlafengehen (When Falling Asleep) — lyrics by Hermann Hesse
Im Abendrot (At Sunset) — lyrics by Joseph von Eichendorff

Sold out
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May 17, 20:00
Moscow | Great Hall of the Conservatory
Teodor Currentzis and musicAeterna: Tchaikovsky, Richard Strauss

Pyotr Tchaikovsky (1840–1893)

Symphony No. 5 in E minor, Op. 64 (1888)
Andante — Allegro con anima
Andante cantabile, con alcuna licenza
Waltz. Allegro moderato
Finale. Andante maestoso — Allegro vivace

Richard Strauss (1864–1949)

Four Last Songs for soprano and orchestra (1948)
Frühling (Spring) — lyrics by Hermann Hesse
September — lyrics by Hermann Hesse
Beim Schlafengehen (When Falling Asleep) — lyrics by Hermann Hesse
Im Abendrot (At Sunset) — lyrics by Joseph von Eichendorff

Sold out
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May 18, 20:00
Moscow | Great Hall of the Conservatory
Teodor Currentzis and musicAeterna: Tchaikovsky, Richard Strauss

Pyotr Tchaikovsky (1840–1893)

Symphony No. 5 in E minor, Op. 64 (1888)
Andante — Allegro con anima
Andante cantabile, con alcuna licenza
Waltz. Allegro moderato
Finale. Andante maestoso — Allegro vivace

Richard Strauss (1864–1949)

Four Last Songs for soprano and orchestra (1948)
Frühling (Spring) — lyrics by Hermann Hesse
September — lyrics by Hermann Hesse
Beim Schlafengehen (When Falling Asleep) — lyrics by Hermann Hesse
Im Abendrot (At Sunset) — lyrics by Joseph von Eichendorff

Sold out
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An event of Diaghilev Festival
June 13, 20:00
Perm | House of Music (Shpagin plant)
Hændel. A Dedication Ceremony to George Frideric Handel. Opening concert of the festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

Sold out
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An event of Diaghilev Festival
June 14, 20:00
Perm | House of Music (Shpagin plant)
Hændel. A Dedication Ceremony to George Frideric Handel. Opening concert of the festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

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An event of Diaghilev Festival
June 22, 15:00
Perm | House of Music (Shpagin plant)
Esperia

Musical Director and Conductor: Teodor Currentzis
Director: Anna Guseva
Chief Choirmaster: Vitaly Polonsky
Choreographer: Anastasia Peshkova

Performers:
musicAeterna Choir
soloists of the musicAeterna Orchestra
musicAeterna Dance company

Sold out
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An event of Diaghilev Festival
June 22, 22:00
Perm | House of Music (Shpagin plant)
Esperia

Musical Director and Conductor: Teodor Currentzis
Director: Anna Guseva
Chief Choirmaster: Vitaly Polonsky
Choreographer: Anastasia Peshkova

Performers:
musicAeterna Choir
soloists of the musicAeterna Orchestra
musicAeterna Dance company

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View past events

Media

Currentzis Lab: Mahler’s Symphony No. 5
Currentzis Lab presents a unique opportunity to find out what meanings the conductor invests in the interpretation of the composition, and to see how he achieves the realization of his ideas together with the musicians of the orchestra. Diving into the details of the score together with the conductor and the musicians allows you to […]
7 months ago
Duet of Castellucci and Currentzis
Its creators, Teodor Currentzis and Romeo Castellucci, explain how they have brought to the stage the meanings and images of the music and (to a lesser extent) the libretto. Theatre historian and music critic Alexey Parin talks about the co-authors of the Salzburg premiere, including Currentzis’ previous work with the Mozart — Da Ponte trilogy […]
3 years ago
FM Module. All Season 1 in one episode
FM Module is back!.. to start with a look back at the past three seasons. Today we dive into the narratives and images of the first season, summed up in one episode, including topics: Radio, Virus, Apparatus, Resistance, Silence, Time, Interface, and Ocean. It will be bigger, louder, more sophisticated. Track list 1. Lichtenberg: A […]
3 years ago
Rite of Winter 1949. Leonid Desyatnikov: The scale of this piece, its monumentality are imaginary
Together with our general partner VTB Bank, we created an educational project for the concerts in Zaryadye on May 25 and 26 and at the Diaghilev Festival on June 10. We did a big interview with Leonid Desyatnikov, who had visited the rehearsals of his Rite of Winter 1949. The composer told about the idea […]
3 years ago
Christ is risen
Happy Easter to all who are celebrating it today. As our musical gift, we would like to share with you a video of the choirs musicAeterna and musicAeterna byzantina performing at Feodorovsky Cathedral.
4 years ago
FM Module #23. Voices
The instinctual and orgasmic representative in Freudianism; the preserve of Kairos, the god of favorable moments; the oldest media available to us — all this is the human voice. We’ll have a closer look at the spoken word in the new episode of FM Module. ⠀ Siegfried Zielinski: «Transferred into a package of data, you […]
4 years ago