Trombones

Vladimir Kishchenko

In the orchestra since 2004

A graduate of the Glinka Novosibirsk State Conservatory, he worked at the Novosibirsk academic symphony orchestra (directed by Arnold Katz). Since 2003, he has been a member of the musicAeterna orchestra directed by Teodor Currentzis.

CAN YOU REMEMBER YOUR FIRST PERFORMANCE WITH MUSICAETERNA?

I was first exposed to musicAeterna’s performance as part of the audience. They played Vivaldi and did it with such energy that I was absolutely stunned. The performers were very young, and they gave their 100%. It was incredible. Very soon, I got a chance to join the troupe; that is when I understood why this orchestra sounds like nothing else. It all has to do with Teodor. Over my long career, I have never seen anyone else work on each measure and each sound with such precision.

WHAT DOES IT FEEL TO PERFORM TOGETHER WITH MUSICAETERNA?

I feel that we are all one. This might sound trite but I truly mean it: when you are playing in this orchestra, you sense true unity. Energy is passed from one performer to another. Of course, it is mainly Teodor giving his energy to us; but we do our best to return the favour.

WHAT DOES CREATIVE SUCCESS DEPEND ON?

There must be many ingredients to success but the main one is hard work. No matter how talented you are, you have to do a colossal amount of work on yourself: success does not simply come to you. I believe every person is talented by nature, yet only those who develop and work on their talent end up being successful.

DO YOU LISTEN TO MUSIC AT HOME?

I have a baby daughter at home, so listening to music has become not as frequent. But I love listening to classical music. When I want to relax, I go for jazz.

WHAT ARE YOUR OTHER HOBBIES?

I love taking photos. It is particularly mesmerizing to watch and photograph children when they are immersed in some sort of activity.

musicAeterna orchestra events

An event of Diaghilev Festival

June 13, 20:00

Perm | House of Music (Shpagin plant)

Hændel. A Dedication Ceremony to George Frideric Handel. Opening concert of the festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

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An event of Diaghilev Festival

June 14, 20:00