Yana Shchegoleva
In the orchestra since 2022
Yana Shchegoleva graduated from the Children’s Music School and the Academic Music College at the Moscow State Tchaikovsky Conservatory (Associate Prof. M.I. Keselman’s class), Moscow State Tchaikovsky Conservatory including an internship (M. I. Keselman’s classes). From 2017 to 2018 she studied at the Mendelssohn University of Music and Theatre in the class of Prof. Erich Höbarth (Leipzig). She has been working in the musicAeterna orchestra since 2022.
In 2018 and 2021 she was the II prize winner at the All-Russian Competition of Symphony Orchestra Musicians (Moscow).
From 2018 to 2022 she worked as the concertmaster of the second violin group at the Russian National Youth Symphony Orchestra (Moscow).
musicAeterna orchestra events
Georg Friedrich Handel (1685–1759)
Prelude
Augelletti, ruscelletti, the aria of Maria Kleopova from the oratorio La resurrezione, HWV 47 (1708)
Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)
Disserratevi, o porte d’Averno, the aria of Angel from the oratorio La resurrezione, HWV 47 (1708)
Ah! Crudel nel pianto mio, the aria of Armida from the opera Rinaldo, HWV 78 (1711)
Overture to the opera Agrippina, HWV 6 (1709–1710)
As with Rosy Steps the Morn, the aria of Irina from the oratorio Theodora, HWV 68 (1750)
De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)
Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)
Pena tiranna, the aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)
Eternal Source of Light Divine, fragment from the cantata Ode for the Birthday of Queen Anne, HWV 74 (1713)
Alla Hornpipe, No. 2 from the orchestral suite
The Water Music No. 2 in D Major, HWV 349 (1716–1717)
He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)
Piangerò la sorte mia, the aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)
Ah! Stigie larve — Vaghe pupille, the recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)
O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)
Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)
Performers:
artists of the Anton Rubinstein Academy
Tatiana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
Ksenia Dorodova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Sofia Tsygankova, soprano
Andrey Nemzer, countertenor, soloist and vocal coach of the Anton Rubinstein Academy
musicAeterna Choir and Orchestra
musicAeterna Dance troupe
Music Director and Conductor Teodor Currentzis
Stage Director Elizaveta Moroz
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Production Designer, Costume Designer Sergey Illarionov
Choreographer Valentina Lutsenko
Georg Friedrich Handel (1685–1759)
Prelude
Augelletti, ruscelletti, the aria of Maria Kleopova from the oratorio La resurrezione, HWV 47 (1708)
Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)
Disserratevi, o porte d’Averno, the aria of Angel from the oratorio La resurrezione, HWV 47 (1708)
Ah! Crudel nel pianto mio, the aria of Armida from the opera Rinaldo, HWV 78 (1711)
Overture to the opera Agrippina, HWV 6 (1709–1710)
As with Rosy Steps the Morn, the aria of Irina from the oratorio Theodora, HWV 68 (1750)
De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)
Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)
Pena tiranna, the aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)
Eternal Source of Light Divine, fragment from the cantata Ode for the Birthday of Queen Anne, HWV 74 (1713)
Alla Hornpipe, No. 2 from the orchestral suite
The Water Music No. 2 in D Major, HWV 349 (1716–1717)
He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)
Piangerò la sorte mia, the aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)
Ah! Stigie larve — Vaghe pupille, the recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)
O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)
Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)
Performers:
artists of the Anton Rubinstein Academy
Tatiana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
Ksenia Dorodova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Sofia Tsygankova, soprano
Andrey Nemzer, countertenor, soloist and vocal coach of the Anton Rubinstein Academy
musicAeterna Choir and Orchestra
musicAeterna Dance troupe
Music Director and Conductor Teodor Currentzis
Stage Director Elizaveta Moroz
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Production Designer, Costume Designer Sergey Illarionov
Choreographer Valentina Lutsenko
Georg Friedrich Handel (1685–1759)
Prelude
Augelletti, ruscelletti, the aria of Maria Kleopova from the oratorio La resurrezione, HWV 47 (1708)
Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)
Disserratevi, o porte d’Averno, the aria of Angel from the oratorio La resurrezione, HWV 47 (1708)
Ah! Crudel nel pianto mio, the aria of Armida from the opera Rinaldo, HWV 78 (1711)
Overture to the opera Agrippina, HWV 6 (1709–1710)
As with Rosy Steps the Morn, the aria of Irina from the oratorio Theodora, HWV 68 (1750)
De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)
Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)
Pena tiranna, the aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)
Eternal Source of Light Divine, fragment from the cantata Ode for the Birthday of Queen Anne, HWV 74 (1713)
Alla Hornpipe, No. 2 from the orchestral suite
The Water Music No. 2 in D Major, HWV 349 (1716–1717)
He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)
Piangerò la sorte mia, the aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)
Ah! Stigie larve — Vaghe pupille, the recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)
O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)
Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)
Performers:
artists of the Anton Rubinstein Academy
Tatiana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
Ksenia Dorodova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Sofia Tsygankova, soprano
Andrey Nemzer, countertenor, soloist and vocal coach of the Anton Rubinstein Academy
musicAeterna Choir and Orchestra
musicAeterna Dance troupe
Music Director and Conductor Teodor Currentzis
Stage Director Elizaveta Moroz
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Production Designer, Costume Designer Sergey Illarionov
Choreographer Valentina Lutsenko
Georg Friedrich Handel (1685–1759)
Prelude
Augelletti, ruscelletti, the aria of Maria Kleopova from the oratorio La resurrezione, HWV 47 (1708)
Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)
Disserratevi, o porte d’Averno, the aria of Angel from the oratorio La resurrezione, HWV 47 (1708)
Ah! Crudel nel pianto mio, the aria of Armida from the opera Rinaldo, HWV 78 (1711)
Overture to the opera Agrippina, HWV 6 (1709–1710)
As with Rosy Steps the Morn, the aria of Irina from the oratorio Theodora, HWV 68 (1750)
De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)
Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)
Pena tiranna, the aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)
Eternal Source of Light Divine, fragment from the cantata Ode for the Birthday of Queen Anne, HWV 74 (1713)
Alla Hornpipe, No. 2 from the orchestral suite
The Water Music No. 2 in D Major, HWV 349 (1716–1717)
He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)
Piangerò la sorte mia, the aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)
Ah! Stigie larve — Vaghe pupille, the recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)
O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)
Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)
Performers:
artists of the Anton Rubinstein Academy
Tatiana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
Ksenia Dorodova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Sofia Tsygankova, soprano
Andrey Nemzer, countertenor, soloist and vocal coach of the Anton Rubinstein Academy
musicAeterna Choir and Orchestra
musicAeterna Dance troupe
Music Director and Conductor Teodor Currentzis
Stage Director Elizaveta Moroz
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Production Designer, Costume Designer Sergey Illarionov
Choreographer Valentina Lutsenko
Georg Friedrich Handel (1685–1759)
Prelude
Augelletti, ruscelletti, the aria of Maria Kleopova from the oratorio La resurrezione, HWV 47 (1708)
Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)
Disserratevi, o porte d’Averno, the aria of Angel from the oratorio La resurrezione, HWV 47 (1708)
Ah! Crudel nel pianto mio, the aria of Armida from the opera Rinaldo, HWV 78 (1711)
Overture to the opera Agrippina, HWV 6 (1709–1710)
As with Rosy Steps the Morn, the aria of Irina from the oratorio Theodora, HWV 68 (1750)
De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)
Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)
Pena tiranna, the aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)
Eternal Source of Light Divine, fragment from the cantata Ode for the Birthday of Queen Anne, HWV 74 (1713)
Alla Hornpipe, No. 2 from the orchestral suite
The Water Music No. 2 in D Major, HWV 349 (1716–1717)
He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)
Piangerò la sorte mia, the aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)
Ah! Stigie larve — Vaghe pupille, the recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)
O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)
Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)
Performers:
artists of the Anton Rubinstein Academy
Tatiana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
Ksenia Dorodova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Sofia Tsygankova, soprano
Andrey Nemzer, countertenor, soloist and vocal coach of the Anton Rubinstein Academy
musicAeterna Choir and Orchestra
musicAeterna Dance troupe
Music Director and Conductor Teodor Currentzis
Stage Director Elizaveta Moroz
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Production Designer, Costume Designer Sergey Illarionov
Choreographer Valentina Lutsenko