Artem Chirkov
In the orchestra since 2022
Artem Chirkov graduated from the Rimsky-Korsakov St. Petersburg State Conservatory and the University of Music and Performing Arts Munich. He has been working in the musicAeterna orchestra since 2022.
He is the winner of a number of reputable international competitions, including the International Society of Doublebases competition (USA), the International J.M. Sperger Competition (Germany), the International Competition in Brno (Czech Republic), as well as the Grand Prix and the first prize of the Bradetich Foundation International Competition (USA, 2010). As a member of the Bassiona Amorosa ensemble, he received the Best Quartet of the Year award from the European Cultural Foundation Pro Europa (Switzerland, 2003) and the ECHO Klassik Award in the category ‘Classics without Borders’ (Germany, 2014).
Since 2004, he has been actively performing as a soloist around the world. The musician’s extensive repertoire includes not only popular works for double bass, but also little-known compositions, original arrangements and works by contemporary composers.
On stage Artem Chirkov has collaborated with leading conductors, musicians and ensembles: Yuri Temirkanov, Zubin Mehta, Mariss Jansons, Uroš Lajovic, Gianluigi Gelmetti, Jon Kalbfleisch, Christoph Campestrini, Osvaldo Ferreira, Natalia Gutman, Eliso Virsaladze, Placido Domingo, the Bavarian Radio Symphony Orchestra, the Munich and Cologne Philharmonic Orchestras, the David Oistrakh Quartet, the St.Petersburg Philharmoniс Orchestra, the St.Petersburg Orchestra of the State Hermitage Museum ‘Camerata’, the Borodin State Quartet, etc.
He gives open lessons, master classes and seminars in leading higher educational institutions of the world. As the founder and artistic director of the annual international festival The World of Double Bass, he is engaged in the development of methods for teaching the double bass, expanding the repertoire, modernizing the instrument, and developing its performing capabilities.
During rehearsals, Teodor always finds a precise and fresh artistic interpretation of the music. For example, before our first concert of the tour featuring Mahler’s Symphony No. 2, he asked us to approach the fourth movement as “a prayer for the salvation of a soul.” This shifted the musicians’ focus and transformed the sound. Symphony No. 2 is a demanding piece—it lasts over an hour and a half, with the final 50 minutes requiring intense concentration. Preparing physically for such a performance is crucial, and artistic guidance like this helps musicians stay focused throughout the concert.
The biggest challenge is logistics. The double bass is a large instrument, and we can’t always bring our own on tour. Together with the orchestra’s managers, we begin preparing for concerts well in advance. Sometimes, I ask musician friends in the destination city to check available instruments and send recordings so we can ensure they match the sound required for a particular piece.
Last year, Teodor’s assistant reached out to tell me that he had chosen me to conduct during an open masterclass. I was completely surprised—Teodor seemed to sense my deep interest in conducting. That day, he spent over an hour working with me in front of the orchestra, which reignited my passion for it. Now, I occasionally take lessons from conductor friends and consult with Ilya Gaisin. My dream is to continue studying with Teodor and eventually conduct musicAeterna on stage.
However, there are many musicians who are also pilots. One of my colleagues at musicAeterna, pianist Alexander Melnikov, balances his solo career with flying regular commercial flights. The ultimate realization of my dream would be piloting our orchestra on tour myself.
musicAeterna orchestra events
The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.
The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.
Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna
Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.
The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.
Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna
Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Ludwig van Beethoven (1770–1827)
Symphony No. 4 in B-flat Major, Op. 60 (1806)
Adagio – Allegro vivace
Adagio
Allegro vivace
Allegro ma non troppo
Wolfgang Amadeus Mozart (1756–1791)
Symphony No. 41 in C Major, ‘Jupiter’, KV 551 (1788)
Allegro vivace
Andante cantabile
Menuetto: Allegretto
Molto allegro
Performers:
musicAeterna Orchestra
Conductor Teodor Currentzis
Ludwig van Beethoven (1770–1827)
Symphony No. 4 in B-flat Major, Op. 60 (1806)
Adagio – Allegro vivace
Adagio
Allegro vivace
Allegro ma non troppo
Wolfgang Amadeus Mozart (1756–1791)
Symphony No. 41 in C Major, ‘Jupiter’, KV 551 (1788)
Allegro vivace
Andante cantabile
Menuetto: Allegretto
Molto allegro
Performers:
musicAeterna Orchestra
Conductor Teodor Currentzis