Altos

Elena Gurchenko

In the choir since 2019

Elena Gurchenko graduated from the Department of Music at the Pushkin Leningrad State University and the Music Department of the Faculty of Arts at Smolny Institute of the Russian Academy of Education. She has been the musicAeterna choir artist since 2019. Since 2020 she has performed as a soloist of the vocal ensemble musicAeterna4.

She was born in St. Petersburg. From the age of 6 she studied the domra, but at the age of 7 she transferred to the piano department. As a teenager, she manifested a passion for academic vocal and choral art. Having graduated from music school, she began singing in the Cantus ensemble with a wide repertoire from sacred music to jazz.

She gained tremendous experience in choral and solo performance in 2004–2014, working in the Studium Youth Choir under the direction of Irina Semenkova. From 2016 to 2019 she performed as a member of the State Chamber Choir “Petersburg Serenades”.

Since 2006, he has been practising academic solo vocals: “My teachers were the soloists of the Mariinsky and Mikhailovsky Theatres, wonderful singers and wonderful people who shared their experience and a perfect training with me, and I am very grateful to them for the unforgettable moments of creative revelation and self-belief.”

HOW DID YOU START YOUR MUSIC LESSONS?

My parents gave me the opportunity to study domra. At the age of 6, there could be no conscious desire to play this instrument in particular, but I remember that I truly enjoyed it. I had an excellent teacher, and some success (along with permanently bandaged fingers) followed. But a little later, my mother insisted that the piano become my main instrument, and I had to say goodbye to domra.

WHAT DO YOU DO BESIDES MUSIC?

I've always had a natural aptitude for languages for as long as I can remember. Even if I didn't understand the language when I was very young, I really enjoyed pretending that I was fluent in it, constantly singing songs in English, imitating it. Travelling and touring with musical ensembles gave me the opportunity to communicate a lot with foreigners and develop my skills in French, German and English. In addition, I have a higher philological education, and I know the laws of linguistics first-hand. The accumulated knowledge helps me a lot as a musician, because we sing music in different languages, including their archaic forms.

WHAT IS SPECIAL ABOUT THE MUSICAETERNA VOX ENSEMBLE IN WHICH YOU SING?

It warms my heart when the sound of our ensemble inspires composers to create music. At the same time, it is a great responsibility: to correctly interpret the author's idea and convey it to the listener. When you realize that a line was written specifically for your voice, a special connection arises inside: as if your voice was originally intrinsic to this music. Each part is a thread in the fabric that we weave together with other singers. This is how intricate patterns appear following the composer's clear plan. The interweaving of these invisible threads gives rise to an unusual magical feeling of unity and beauty, which is why we are grateful to the composers for the trust and honour of performing their works.

WHAT ARE YOUR FAVOURITE FILMS?

There are many films that have left a strong impression on me. Among the most striking that I have recently seen there are the Dance of Reality by Alejandro Jodorowsky, Tangerines by Zaza Urushadze, the Dust of Time by Theodoros Angelopoulos.

WHICH CONCERT HALL DO YOU DREAM OF PERFORMING IN?

I have a dream to sing with an ensemble in a cave or a grotto, something like the Waterfall Hall in Spanish Nerja or the Hungarian Baradla cave.

musicAeterna choir events

October 11, 19:00

Moscow | Zaryadye Hall

Hændel. A Dedication Ceremony to George Frideric Handel

Georg Friedrich Handel (1685–1759)

Prelude

Augelletti, ruscelletti, the aria of Maria Kleopova from the oratorio La resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

Disserratevi, o porte d’Averno, the aria of Angel from the oratorio La resurrezione, HWV 47 (1708)

Ah! Crudel nel pianto mio, the aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

As with Rosy Steps the Morn, the aria of Irina from the oratorio Theodora, HWV 68 (1750)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Pena tiranna, the aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Eternal Source of Light Divine, fragment from the cantata Ode for the Birthday of Queen Anne, HWV 74 (1713)

Alla Hornpipe, No. 2 from the orchestral suite
The Water Music No. 2 in D Major, HWV 349 (1716–1717)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Piangerò la sorte mia, the aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Ah! Stigie larve — Vaghe pupille, the recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)

Performers:

artists of the Anton Rubinstein Academy
Tatiana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
Ksenia Dorodova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Sofia Tsygankova, soprano
Andrey Nemzer, countertenor, soloist and vocal coach of the Anton Rubinstein Academy
musicAeterna Choir and Orchestra
musicAeterna Dance troupe

Music Director and Conductor Teodor Currentzis
Stage Director Elizaveta Moroz
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Production Designer, Costume Designer Sergey Illarionov
Choreographer Valentina Lutsenko

Buy Ticket

October 17, 22:30

Madrid | Auditorio Nacional de Música