Margarita Galkina
In the orchestra since 2024
Margarita graduated from the Moscow Gnessin Special School (college) of Music in 2019 (the class of Zara Parvanyan), and in 2024 graduated with honours from the Moscow State Tchaikovsky Conservatory (Department of Historical and Contemporary Performance, the class of Associate Professor Olga Ivusheikova). She is studying in the first year of an assistant internship at the Moscow Conservatory at the Centre for Contemporary Music.
Margarita Galkina is the winner of numerous international and all-Russian competitions, including the 6th All-Russian Symphony Orchestra Artists Competition (2022) and the Stravinsky International Competition (2022, the second prize). She is a finalist of the Flute International Concourse in the Netherlands (2018), a participant of the first round of the 17th Tchaikovsky International Competition. (2023).
She participated in master classes by András Adorján, Walter Auer, Csalog Benedek, Georges Barthel, Felix Renggli, Denis Bouriakov, Trevor Wye, Matthias Ziegler, Alexander Haskin, Denis Lupachev, Pierre-Yves Artaud, Claire Southworth, Rafael Trevisiani, Nikolai Mokhov. She participated in international orchestral festivals in Switzerland (Verbier), Italy, the Netherlands, and Germany.
From 2022 to 2024, she worked as an artist of the Russian National Youth Symphony Orchestra, and was a member of the ‘Moscow Classical Ensemble’ wind quintet. Since 2024 she has been a soloist of the musicAeterna orchestra conducted by Teodor Currentzis.
The most difficult thing in the profession of a musician is the need to practice a lot. As a child, I wanted to play with friends or go for a walk. I did not realize the importance of constant work until I won my first diplomas at competitions. I enjoyed victories so much that I started a notebook to write down how many hours a day I devoted to music.
Planners and diaries help me get rid of the chaos in my head and act on a large scale. I make notes about the goals I want to achieve — and then forget about it. After a while I reread them and realize that everything has come true. Maybe my notebook is magical, but I guess the point is in the ability to structure thoughts.
Flautists usually associate themselves with Orpheus, but I like another myth. I love the story of how the pan flute appeared: the Ancient Greek god Pan fell in love with a maiden, but she rejected him and turned into a reed. Pan made a flute out of this plant and performed sad music in memory of his beloved. I associate myself with that flute maiden: I tune in with the instrument and communicate my feelings.
musicAeterna orchestra events
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano