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Aisylu Mirhafizkhan

Artist with MA Dance since 2022

Aisylu Mirhafizkhan graduated from the Kazan Choreographic College as a ballet dancer and Kazan (Volga Region) Federal University with a degree in Dance Pedagogy. She was a soloist of the ballet at Musa Jalil Tatar Academic Opera and Ballet Theatre. She did internships in foreign schools and dance collectives, including Batsheva Dance company (Tel Aviv, Israel). She is an intern tutor at the Acting Department at Boris Shchukin Theatre Institute. She won a number of professional awards and prizes. She is the performer of one-woman show Hava at the Mon Theatre Venue (Kazan, 2020), choreographer of the performance “Island of Slaves” at the Stanislavsky Electrotheatre (2020).

YOUR HOMETOWN
Kazan
FAVOURITE COMPOSERS
Chopin, Rachmaninoff, Bach, Satie
FAVOURITE CHOREOGRAPHERS
Ohad Naharin, Alexander Ekman
WHAT IS MOVEMENT FOR YOU?
The opportunity to see the essence of a person, their personality, their soul. For me, movement is a tool for cognizing self, the world, and God. Movement is healing. Movement is life itself.
WHAT DOES MUSICAETERNA DANCE MEAN TO YOU?
I come to work as if it were a party! Interaction with people inside the troupe for me is really super comfortable communication. In this troupe, you are interested in every person both professionally and personally. You can teach each other a lot. I also like the feeling of co-creation with the choreographer and director. You can offer options and together with them find a solution for a particular scene. At the same time, you feel the freedom of self-expression: without the desire to break yourself, to remake yourself to fit an ephemeral standard. For me, musicAeterna Dance is a place where I can be myself 100%.

Events

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A new production of the musicAeterna Dance troupe is a dance fantasy performance, a tribute to Vsevolod Meyerhold and Kazimir Malevich’s performance based on the play by Vladimir Mayakovsky Mystery-Bouffe (1918), dedicated to the 150th anniversary of Meyerhold.

The fantasy performance Mystery About That is not just an homage, but a further reflection on topics suggested a hundred years ago, at a new turn of history. In Mayakovsky’s revolutionary eschatology, the authors of the production are looking for a place for love and personality. Through a simple laconic form — the division of crowd into groups and couples, staging conflict within groups, the collapse of groups into individual performers, — Mystery About That is examining disengagement of an individual with a community, their gradual acquisition of a personal voice and vector of movement. The path to acquire individuality is dramatic — from the euphoria of collective thinking and belonging to a group to the emergence of internal conflicts, from external clashes to total polarization at the level of ‘friend or foe’ and ‘all against all’. In these conditions of constant personality changes, internal support is required. This support is found in love. Thus, the second text of Mayakovsky appeared at the heart of the fantasy performance — his poem About That in which the pain of love grows into a victorious feeling of universal proportions. Only love is capable of giving the participants of the performance the strength to answer the question — whether to remain an eternal stranger in the world of ready-made opinions or to seek their own path.

Director — Anna Guseva
Dramaturgy — Julia Orlova, Anna Guseva
Choreographer — Anastasia Peshkova
Artist — Maria Levina Video
Video Artist — Julia Orlova
Composer — Kirill Arkhipov
Tutor in voice production / Singer — Olga Vlasova

musicAeterna Dance troupe:
Aigulya Buzaeva
Timur Ganeyev
Alevtina Gruntovskaya
Evgeny Kalachev
Maksim Klochnev
Savva Korotych
Anna Kuznetsova
Elena Lisnaya
Aisylu Mirhafizkhan
Kamil Mustafayev
Alexei Slutskii
Daria Tagiltseva

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A new production of the musicAeterna Dance troupe is a dance fantasy performance, a tribute to Vsevolod Meyerhold and Kazimir Malevich’s performance based on the play by Vladimir Mayakovsky Mystery-Bouffe (1918), dedicated to the 150th anniversary of Meyerhold.

The fantasy performance Mystery About That is not just an homage, but a further reflection on topics suggested a hundred years ago, at a new turn of history. In Mayakovsky’s revolutionary eschatology, the authors of the production are looking for a place for love and personality. Through a simple laconic form — the division of crowd into groups and couples, staging conflict within groups, the collapse of groups into individual performers, — Mystery About That is examining disengagement of an individual with a community, their gradual acquisition of a personal voice and vector of movement. The path to acquire individuality is dramatic — from the euphoria of collective thinking and belonging to a group to the emergence of internal conflicts, from external clashes to total polarization at the level of ‘friend or foe’ and ‘all against all’. In these conditions of constant personality changes, internal support is required. This support is found in love. Thus, the second text of Mayakovsky appeared at the heart of the fantasy performance — his poem About That in which the pain of love grows into a victorious feeling of universal proportions. Only love is capable of giving the participants of the performance the strength to answer the question — whether to remain an eternal stranger in the world of ready-made opinions or to seek their own path.

Director — Anna Guseva
Dramaturgy — Julia Orlova, Anna Guseva
Choreographer — Anastasia Peshkova
Artist — Maria Levina Video
Video Artist — Julia Orlova
Composer — Kirill Arkhipov
Tutor in voice production / Singer — Olga Vlasova

musicAeterna Dance troupe:
Aigulya Buzaeva
Timur Ganeyev
Alevtina Gruntovskaya
Evgeny Kalachev
Maksim Klochnev
Savva Korotych
Anna Kuznetsova
Elena Lisnaya
Aisylu Mirhafizkhan
Kamil Mustafayev
Alexei Slutskii
Daria Tagiltseva