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Teodor Currentzis

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Richard Strauss
Metamorphosen, study for 23 solo strings, TrV 290, AV 142

Dmitri Shostakovich
Symphony No 14, Op. 135 for soprano, bass and chamber orchestra,
on verses by Federico García Lorca, Guillaume Apollinaire, Wilhelm Küchelbecker, and Rainer Maria Rilke

Performers
soprano: Nadezhda Pavlova
bass: Dmitry Ulyanov
conductor: Teodor Currentzis

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Richard Strauss
Metamorphosen, study for 23 solo strings, TrV 290, AV 142

Dmitri Shostakovich
Symphony No 14, Op. 135 for soprano, bass and chamber orchestra,
on verses by Federico García Lorca, Guillaume Apollinaire, Wilhelm Küchelbecker, and Rainer Maria Rilke

Performers
soprano: Nadezhda Pavlova
bass: Dmitry Ulyanov
conductor: Teodor Currentzis

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An event of Salzburg Festival

Dmitry Shostakovich
Symphony No. 13 in B flat minor ‘Babi Yar’ op. 113

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An event of Salzburg Festival

Bela Bartok (1881 – 1945)
Bluebeard´s Castle
Opera in one act, op. 11 Sz. 48 (1918)

Carl Orff (1895 – 1982)
De temporum fine comoedia
The Play of the End of Times — Vigilia (Original version1973)

Performance by Romeo Castellucci and Teodor Currentzis

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An event of Salzburg Festival

Bela Bartok (1881 – 1945)
Bluebeard´s Castle
Opera in one act, op. 11 Sz. 48 (1918)

Carl Orff (1895 – 1982)
De temporum fine comoedia
The Play of the End of Times — Vigilia (Original version1973)

Performance by Romeo Castellucci and Teodor Currentzis

+
An event of Salzburg Festival

Bela Bartok (1881 – 1945)
Bluebeard´s Castle
Opera in one act, op. 11 Sz. 48 (1918)

Carl Orff (1895 – 1982)
De temporum fine comoedia
The Play of the End of Times — Vigilia (Original version1973)

Performance by Romeo Castellucci and Teodor Currentzis

+
An event of Salzburg Festival

Bela Bartok (1881 – 1945)
Bluebeard´s Castle
Opera in one act, op. 11 Sz. 48 (1918)

Carl Orff (1895 – 1982)
De temporum fine comoedia
The Play of the End of Times — Vigilia (Original version1973)

Performance by Romeo Castellucci and Teodor Currentzis

+
An event of Salzburg Festival

Bela Bartok (1881 – 1945)
Bluebeard´s Castle
Opera in one act, op. 11 Sz. 48 (1918)

Carl Orff (1895 – 1982)
De temporum fine comoedia
The Play of the End of Times — Vigilia (Original version1973)

Performance by Romeo Castellucci and Teodor Currentzis

+
An event of Salzburg Festival

Henry Purcell
Dido and Aeneas – Opera in three acts on a libretto by Nahum Tate after Virgil’s epic poem Aeneis
(Concert Performance)

Dmitry Shostakovich
Symphony No. 14 in G minor for soprano, bass and chamber orchestra op. 135

+
An event of Salzburg Festival

Bela Bartok (1881 – 1945)
Bluebeard´s Castle
Opera in one act, op. 11 Sz. 48 (1918)

Carl Orff (1895 – 1982)
De temporum fine comoedia
The Play of the End of Times — Vigilia (Original version1973)

Performance by Romeo Castellucci and Teodor Currentzis

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Richard Wagner (1813-1883)
Opera “Tristan and Isolde” (concert performance), 1859

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Richard Wagner (1813-1883)
Opera “Tristan and Isolde” (concert performance), 1859

Media

Its creators, Teodor Currentzis and Romeo Castellucci, explain how they have brought to the stage the meanings and images of the music and (to a lesser extent) the libretto. Theatre historian and music critic Alexey Parin talks about the co-authors of the Salzburg premiere, including Currentzis’ previous work with the Mozart — Da Ponte trilogy […]
FM Module is back!.. to start with a look back at the past three seasons. Today we dive into the narratives and images of the first season, summed up in one episode, including topics: Radio, Virus, Apparatus, Resistance, Silence, Time, Interface, and Ocean. It will be bigger, louder, more sophisticated. Track list 1. Lichtenberg: A […]
Together with our general partner VTB Bank, we created an educational project for the concerts in Zaryadye on May 25 and 26 and at the Diaghilev Festival on June 10. We did a big interview with Leonid Desyatnikov, who had visited the rehearsals of his Rite of Winter 1949. The composer told about the idea […]
Happy Easter to all who are celebrating it today. As our musical gift, we would like to share with you a video of the choirs musicAeterna and musicAeterna byzantina performing at Feodorovsky Cathedral.
The instinctual and orgasmic representative in Freudianism; the preserve of Kairos, the god of favorable moments; the oldest media available to us — all this is the human voice. We’ll have a closer look at the spoken word in the new episode of FM Module. ⠀ Siegfried Zielinski: «Transferred into a package of data, you […]