Alexander Bykov
In the orchestra since 2022
Alexander Bykov was born in 1991 in Leningrad. In 2017 he graduated from the Rimsky-Korsakov St. Petersburg State Conservatory (the class of A.A. Isaev) and continued his studies at the Conservatory as a trainee assistant (the class of A.V. Kazakov). From 2019 to 2021 he studied at the postgraduate programme of the Lucerne School of Music (Switzerland) in the oboe class (the class of I. Podyomov). He has been working in the musicAeterna orchestra since 2022.
He took part in the master classes of such outstanding oboists as David Walter, Maurice Bourgue, François Leleux, Thomas Indermühle, Gregor Witt, Laszlo Hadadi, Alex Klein, Gordon Hunt, etc. He actively tours in Russia and abroad. He has performed as a soloist in Germany, France, the Netherlands, Switzerland, Belgium and other European countries.
He performed a number of premieres of works for oboe, including the Concert for Oboe with the orchestra by D. Anzarokov on the stage of the Berlin Konzerthaus in 2018.
As a soloist in orchestras and ensembles, he performed at such venues as the Concertgebouw in Amsterdam, the Musikverein Wien, the Berlin Philharmonic, the Elbe Philharmonic (Hamburg), the Konzerthaus Berlin, the Great Hall of the St. Petersburg Philharmonic, the Concert Hall of the Mariinsky Theatre, the St. Petersburg State Academic Capella, the Zaryadye Hall, the Great Hall of the Moscow Conservatory, etc.
Since 2013 he has been a soloist of the St. Petersburg State Academic Capella Symphony Orchestra. As a guest oboist, he performs as part of the Camerata of the Concertgebouw Orchestra, the St. Petersburg Philharmonic Academic Symphony Orchestra (Honoured Collective of Russia), etc.
My other hobby is applied Asian art. It's a very interesting aesthetic, and it intersects with music. For example, medieval Chinese poets are often depicted on porcelain or lines from their poems are written on it. Some of these poems formed the basis of Mahler's Das Lied von der Erde. It is interesting to learn how the most diverse traditions and types of art intertwine, enrich, and complement each other.
musicAeterna orchestra events
Jean-Philippe Rameau (1683–1764)
Vocal and orchestral numbers from the works:
Les Indes galantes (1735), an opera-ballet
Castor et Pollux (1737), a lyrical tragedy
Les fêtes d’Hébé, ou Les talens lyriques (1739), an opera-ballet
Platée ou Junon jalouse (1745), a lyrical comedy
Zaïs (1748), a heroic pastoral
Zoroastre (1749), a lyrical tragedy
Abaris ou les Boréades (1763–1764), a lyrical tragedy
The programme is subject to change.
Performers:
The musicAeterna Orchestra and Choir
Artists of the Anton Rubinstein Academy
Musical Director and Conductor – Teodor Currentzis
Jean-Philippe Rameau (1683–1764)
Vocal and orchestral numbers from the works:
Les Indes galantes (1735), an opera-ballet
Castor et Pollux (1737), a lyrical tragedy
Les fêtes d’Hébé, ou Les talens lyriques (1739), an opera-ballet
Platée ou Junon jalouse (1745), a lyrical comedy
Zaïs (1748), a heroic pastoral
Zoroastre (1749), a lyrical tragedy
Abaris ou les Boréades (1763–1764), a lyrical tragedy
The programme is subject to change.
Performers:
The musicAeterna Orchestra and Choir
Artists of the Anton Rubinstein Academy
Musical Director and Conductor – Teodor Currentzis
Jean-Philippe Rameau (1683–1764)
Vocal and orchestral numbers from the works:
Les Indes galantes (1735), an opera-ballet
Castor et Pollux (1737), a lyrical tragedy
Les fêtes d’Hébé, ou Les talens lyriques (1739), an opera-ballet
Platée ou Junon jalouse (1745), a lyrical comedy
Zaïs (1748), a heroic pastoral
Zoroastre (1749), a lyrical tragedy
Abaris ou les Boréades (1763–1764), a lyrical tragedy
The programme is subject to change.
Performers:
The musicAeterna Orchestra and Choir
Artists of the Anton Rubinstein Academy
Musical Director and Conductor – Teodor Currentzis