Alfia Khamidullina
In the choir since 2012
In 2008, Alfia Khamidullina graduated from the Aukhadeev Kazan music college (department of choir conducting). In 2013, she graduated from the Zhiganov Kazan State Conservatory, where she had studied choir conducting.
In 2007–2012, she was a member of the State chamber choir of Tatarstan.
Since 2012, Alfia Khamidullina has been a member of the musicAeterna choir. As a soloist, she took part in the following concert performances at the Perm Opera: Puccini’s “Sister Angelica” (First alms sister) and “Tosca” (Shepherd Boy), as well as Weill’s “Happy End” (Mary).
In 2017, Alfia sang the Girl’s part in the Russian premiere of the “Wedding” a capella opera by Anna Sokolović. In 2018, she sang the Hour of the Day’s part in “Phaëton”, a co-production by the Perm Opera and the Royal Opera of Versailles, directed and conducted by Vincent Dumestre.
Alfia Khamidullina took part in the presentation of the “Dau” cinema project (Paris, January and February 2019).
She is also a member of the “musicAeterna 4” female vocal quartet (formerly known as Jazz Aeterna).
musicAeterna choir events
Jean-Philippe Rameau (1683–1764)
Vocal and orchestral numbers from the works:
Les Indes galantes (1735), an opera-ballet
Castor et Pollux (1737), a lyrical tragedy
Les fêtes d’Hébé, ou Les talens lyriques (1739), an opera-ballet
Platée ou Junon jalouse (1745), a lyrical comedy
Zaïs (1748), a heroic pastoral
Zoroastre (1749), a lyrical tragedy
Abaris ou les Boréades (1763–1764), a lyrical tragedy
The programme is subject to change.
Performers:
The musicAeterna Orchestra and Choir
Artists of the Anton Rubinstein Academy
Musical Director and Conductor – Teodor Currentzis
Jean-Philippe Rameau (1683–1764)
Vocal and orchestral numbers from the works:
Les Indes galantes (1735), an opera-ballet
Castor et Pollux (1737), a lyrical tragedy
Les fêtes d’Hébé, ou Les talens lyriques (1739), an opera-ballet
Platée ou Junon jalouse (1745), a lyrical comedy
Zaïs (1748), a heroic pastoral
Zoroastre (1749), a lyrical tragedy
Abaris ou les Boréades (1763–1764), a lyrical tragedy
The programme is subject to change.
Performers:
The musicAeterna Orchestra and Choir
Artists of the Anton Rubinstein Academy
Musical Director and Conductor – Teodor Currentzis
Jean-Philippe Rameau (1683–1764)
Vocal and orchestral numbers from the works:
Les Indes galantes (1735), an opera-ballet
Castor et Pollux (1737), a lyrical tragedy
Les fêtes d’Hébé, ou Les talens lyriques (1739), an opera-ballet
Platée ou Junon jalouse (1745), a lyrical comedy
Zaïs (1748), a heroic pastoral
Zoroastre (1749), a lyrical tragedy
Abaris ou les Boréades (1763–1764), a lyrical tragedy
The programme is subject to change.
Performers:
The musicAeterna Orchestra and Choir
Artists of the Anton Rubinstein Academy
Musical Director and Conductor – Teodor Currentzis