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Bator Ochirov

In the choir since 2019

He graduated from the Conducting and Choral departments of the Ulan-Ude Tchaikovsky College of Music (the class of O.N. Polyakova, Candidate of Art History) and the Moscow Popov Academy of Choral Art. As a member of the Academy’s choir, he performed at the best venues in Moscow and worked with such conductors as Vladimir Spivakov, Vladimir Fedoseyev, Mikhail Pletnev, Pavel Kogan, and others.

From 2013 to 2016, he taught at the Conducting and Choral departments of the Ulan-Ude Tchaikovsky College of Arts, and was the head of the youth chamber ensemble and the children’s choir of Ulan-Ude Music School No. 3. The ensembles have become laureates of the Republican Choral Assembly, the ‘Singing Childhood’ International Choral Competition, and many others.

He worked as the Musical Director of the Buryat Khots Namsaraev Drama Theatre where he prepared musical arrangements for performances and was in charge of the selecting and learning the repertoire of theatrical concerts.

CAN YOU IMAGINE YOURSELF AS ANYTHING ELSE BUT A MUSICIAN?
Music has been my life since my early childhood, and I can’t imagine living without it.
WHAT MAKES WORKING WITH MUSICAETERNA SPECIAL?
I’ve recently joined musicAeterna, and I’m still absolutely delighted. The joy of being here pushes me to develop my skills further. Working with such a troupe makes me truly happy. There’s a great vibe of friendliness and mutual support within the ensemble — and, of course, we make high-quality music for our listeners.
ASIDE FROM MUSIC, WHAT ELSE ARE YOU INTERESTED IN?
I’m always open to everything new. I’m particularly interested in different peoples’ languages and culture. I’ve been listening to a lot of ethnic music lately, which has revealed to me many nuances in how various peoples’ folk songs sound. I’m also interested in teaching and management. I love working on all sorts of projects. However, everything we do and everything we strive for is done with the listener in mind.

musicAeterna choir events

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Samuel Barber (1910–1981)
Adagio for string orchestra in B-flat minor, Op. 11 (1936), arranged for choir by Sergei Anashkin

Giya Kancheli (1935–2019)
Lulling the Sun for mixed choir and percussion (2008)

Alfred Schnittke (1934–1998)
Three Sacred Hymns for a capella mixed choir (1984)

Hail Mary, Full of Grace
Lord Jesus Christ
Our Father

Sergei Rachmaninoff (1873–1943)
Fragments from the Liturgy of St John Chrysostom, op. 31 (1910)

Bless the Lord, O My Soul
Praise Ye the Name of the Lord in Heaven,
Our Father
Blessed Be the Name of the Lord

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Katia Tchemberdji (b. 1960)
Nur zu weinen und zu singen…
Oratorio for orchestra, mixed choir and tenor solo set to the poems by Joseph Brodsky (2023). WORLD PREMIERE

I. Death alone gathers us
II. Clouds float over the grove
III. We want to be playing tag on the green
IV. But tell me, soul, what was the look of life
V. We won’t go up the hill anymore

Richard Wagner (1813–1883)
Der Ring Ohne Worte | The Ring Without Words
Symphonic suite based on the opera tetralogy The Ring of the Nibelung by Lorin Maazel (1987)

I. Das Rheingold |The Rhinegold
II. Die Walküre | The Valkyrie
III. Siegfried
IV. Götterdämmerung | The Twilight of the Gods

The musicAeterna Orchestra
Conductor Teodor Currentzis