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© Stas Levshin Ⓘ
Alto

Elena Tokareva

In the choir since 2011

Elena Tokareva is a laureate of the International vocal competition (Kazan), the Ufa Regional competition (2nd place), and the Glinka competition.

Elena Tokareva was born in Ufa. She finished the Sabitov music school №1 specializing in piano. In 2005, she graduated from the Ufa Arts college (vocal department, academic vocals). In 2010, she graduated from the Rimsky-Korsakov Saint Petersburg State Conservatory (vocal department, academic singing; class of People’s Artist of USSR, prof. Irina Bogacheva). Elena Tokareva is currently studying for her postgraduate degree at the conservatory. During her studies, she has sung Tatiana’s part in Tchaikovsky’s “Evgeny Onegin” at the university’s theatre.

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Since 2011, Elena Tokareva has been an opera troupe intern at the Perm State Opera and Ballet Theatre, as well as a member of the musicAeterna choir.

She has participated in master classes by famous opera singers Nikolay
Okhotnikov and Elena Obraztsova, as well as in acting master classes by Theodoros Terzopoulos and Viktor Kostetsky.

WHERE DO YOU DRAW CREATIVE INSPIRATION FROM?
First and foremost, our Maestro is a great role model. That alone is enough to inspire us. I certainly have other sources as well: cinematography, literature, arts. Ever since my childhood, I’ve been reading and watching a lot — and now I utilize every chance to learn something new. We tour extensively, so it’s not really a problem. Of course, I’m also inspired by the people that surround me. Their energy, ideas and feelings matter a lot to me.
WHAT HAS BEEN YOUR BIGGEST IMPRESSION LATELY?
A visit to the Modern Arts Museum in Oslo, Norway. I like paintings and movies that make you think. In Oslo, I witnessed a lot to dwell on mentally. As for the people that have impressed me, I should name Peter Sellars who I talked to while working on “Idomeneo” at the Salzburg festival. He mentioned many things that one doesn’t notice in everyday life, such as the amount of pollution in the world and our impact on the environment.
WHAT DO YOU VALUE THE MOST IN YOUR WORK?
First of all, it’s not really “work” — it’s my whole life. I truly love what I’m doing, and I can’t exist without it. What I value the most is probably the aftermath of the creative process: something that is left in my own soul and in the listeners’ hearts. I value the feeling of having introduced something to our world and — possibly — having changed it for the better.
DOES MUSIC CHANGE YOU SOMEHOW?
It certainly does. Every performance makes me a different person to some extent. It’s impossible to do it sincerely without getting fully immersed into the world created by the composer or director. And once you’ve done that, you’ll never be the same.
WHAT IS YOUR DREAM?
I prefer goal-setting to dreaming, so that I can actually reach those goals with time. Learn a new language, travel, develop myself — these are the things I strive to achieve. And I’m very happy I can combine that with my work.

musicAeterna choir events

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An event of Salzburg Festival
July 19, 19:00
Salzburg | Grosses Festspielhaus
Shostakovich: Symphony No. 13
Symphony concert

Dmitry Shostakovich
Symphony No. 13 in B flat minor ‘Babi Yar’ op. 113

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An event of Salzburg Festival
July 25, 19:30
Salzburg | Mozarteum
In memoriam — Levit, Hagen Quartett, musicAeterna, Mayrhofer

Paul Dessau
Guernica – Piano piece after Picasso

Karl Amadeus Hartmann
Piano Sonata ‘27. April 1945’

Dmitry Shostakovich
String Quartet No. 8 in C minor op. 110 – ‘In memory of the victims of fascism and the war’

Alfred Schnittke
Requiem for solo voices, choir and chamber ensemble

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An event of Salzburg Festival
July 26, 19:00
Salzburg | Felsenreitschule
Bluebeard´s Castle / De temporum fine comoedia
Production

Bela Bartok (1881 – 1945)
Bluebeard´s Castle
Opera in one act, op. 11 Sz. 48 (1918)

Carl Orff (1895 – 1982)
De temporum fine comoedia
The Play of the End of Times — Vigilia (Original version1973)

Performance by Romeo Castellucci and Teodor Currentzis

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An event of Salzburg Festival
July 31, 18:00
Salzburg | Felsenreitschule
Bluebeard´s Castle / De temporum fine comoedia
Production

Bela Bartok (1881 – 1945)
Bluebeard´s Castle
Opera in one act, op. 11 Sz. 48 (1918)

Carl Orff (1895 – 1982)
De temporum fine comoedia
The Play of the End of Times — Vigilia (Original version1973)

Performance by Romeo Castellucci and Teodor Currentzis

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An event of Salzburg Festival
August 2, 19:00
Salzburg | Felsenreitschule
Bluebeard´s Castle / De temporum fine comoedia
Production

Bela Bartok (1881 – 1945)
Bluebeard´s Castle
Opera in one act, op. 11 Sz. 48 (1918)

Carl Orff (1895 – 1982)
De temporum fine comoedia
The Play of the End of Times — Vigilia (Original version1973)

Performance by Romeo Castellucci and Teodor Currentzis