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Tenors

Grigory Kuznetsov

In the choir since 2019

Grigoriy Kuznetsov graduated with honours from the Popov Choral Arts Academy (vocal department) in 2013.

As a soloist at the Academy choir, he performed at the best concert halls of Russia, Germany, France, Switzerland and Japan. He participated in such international festivals as Sion Festival (tenor part in Schubert’s Messe G-Dur; Switzerland, 2016) and Oldenburger Promenade (tenor part in Bach’s Messe G-Moll; Germany, 2012), as well as in the concert performance of “Orango” by Shostakovich conducted by Esa-Pekka Salonen (Moscow, 2014).

In 2013–2015, Grigoriy Kuznetsov was a soloist at the Yurlov Russian Academic Choir Capella. In 2015–2019, he was a soloist at the Kozhevnikov Moscow State Academic Choir.

He has participated in such opera productions as “Eugene Onegin” by Tchaikovsky (as Lensky at Durance Luberon festival, France), “Il viaggio a Reims” by Rossini (as Chevalier Belfiore at Oldenburger Promenade festival, Germany), and “Le nozze di Figaro” by Mozart (as Don Basilio in Sarov, Krasnoyarsk and Moscow). Since 2018, Grigoriy has been collaborating with the “Intrada” and “Old Russian Chant” ensembles.

Grigoriy Kuznetsov is a laureate of the “Amber Nightingale” international competition (2016, Kaliningrad) and the international competition in Lempäälä (2012, Finland). He is also a scholar of the Muslim Magomaev Foundation (2012–2013) and a laureate of the Popov award (2013).

In 2016, Grigoriy Kuznetsov completed his postgraduate studies at the Popov Choral Arts Academy (musicology department). In 2018, he defended his thesis to pursue the degree of Candidate of Art History.

Since 2019, Grigoriy Kuznetsov has been a member of the musicAeterna choir.

musicAeterna choir events

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Wolfgang Amadeus Mozart (1756 – 1791)

Chorus “Alzai le flebili voci al Signor”: No. 1 from the cantata “Davide penitente”, K. 469 (1785)

Symphony No. 40, K. 550 (1788),

Maurerische Trauermusik (“Masonic Funeral Music”), K. 477 (1785)

Symphony No. 41, K. 551, “Jupiter” (1788)

Recitative and Aria of Donna Anna “Non mi dir”: No. 23 from Act II, Scene V of the opera “Don Giovanni”, K. 527 (1787)

 

Performers:

Nadezhda Pavlova, soprano
musicAeterna Choir and Orchestra
Conductor – Teodor Currentzis

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Wolfgang Amadeus Mozart (1756 – 1791)

Chorus “Alzai le flebili voci al Signor”: No. 1 from the cantata “Davide penitente”, K. 469 (1785)

Symphony No. 40, K. 550 (1788),

Maurerische Trauermusik (“Masonic Funeral Music”), K. 477 (1785)

Symphony No. 41, K. 551, “Jupiter” (1788)

Recitative and Aria of Donna Anna “Non mi dir”: No. 23 from Act II, Scene V of the opera “Don Giovanni”, K. 527 (1787)

 

Performers:

Nadezhda Pavlova, soprano
musicAeterna Choir and Orchestra
Conductor – Teodor Currentzis

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Wolfgang Amadeus Mozart (1756 – 1791)

Chorus “Alzai le flebili voci al Signor”: No. 1 from the cantata “Davide penitente”, K. 469 (1785)

Symphony No. 40, K. 550 (1788),

Maurerische Trauermusik (“Masonic Funeral Music”), K. 477 (1785)

Symphony No. 41, K. 551, “Jupiter” (1788)

Recitative and Aria of Donna Anna “Non mi dir”: No. 23 from Act II, Scene V of the opera “Don Giovanni”, K. 527 (1787)

 

Performers:

Nadezhda Pavlova, soprano
musicAeterna Choir and Orchestra
Conductor – Teodor Currentzis

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Wolfgang Amadeus Mozart (1756 – 1791)

Chorus “Alzai le flebili voci al Signor”: No. 1 from the cantata “Davide penitente”, K. 469 (1785)

Symphony No. 40, K. 550 (1788),

Maurerische Trauermusik (“Masonic Funeral Music”), K. 477 (1785)

Symphony No. 41, K. 551, “Jupiter” (1788)

Recitative and Aria of Donna Anna “Non mi dir”: No. 23 from Act II, Scene V of the opera “Don Giovanni”, K. 527 (1787)

 

Performers:

Nadezhda Pavlova, soprano
musicAeterna Choir and Orchestra
Conductor – Teodor Currentzis

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An event of Diaghilev+

Josquin des Prez (ca. 1450/55 — 1521)
Gaude virgo mater Christi

Tomás Luis de Victoria (1548 — 1611)
Alma Redemptoris mater a 8 voci, antiphon (before 1581)

Adrian Willaert (ca. 1490 — 1562)
Ave regina coelorum

Johann Sebastian Bach (1685 — 1750)
Ich lasse dich nicht, motet BWV 1164 (1712, 1735)

Knut Nystedt (1915 — 2014)
Immortal Bach (1988)

Alfred Schnittke (1934 — 1998)
Three Sacred Hymns (1984)

  1. Our Father
  2. Lord Jesus Christ

III. Hail Mary, Full of Grace

Nicolas Gombert (ca. 1495 — ca. 1560)
Lugebat David Absalon, motet (undated)

Antonio Lotti (1667 — 1740)
Crucifixus a 8 voci from Credo in F Major (before 1717)

Andreas Moustoukis (b. 1971)
The Liturgy of St. Leontius, Part III (2021)

Felix Mendelssohn (1809 — 1847)
Warum toben die Heiden, psalm No. 2 from the cycle “Three Psalms for Soloists and Choir”, Op. 78 (1844)

Francis Poulenc (1899 — 1963)
O magnum mysterium

 

musicAeterna Choir
Chief Choirmaster and Conductor – Vitaly Polonsky