Sopranos

Irina Terentyeva

In the choir since 2019

Irina Terentyeva is a graduate of the Ulyanovsk music college (choir conducting) and the Gnessin State Music College (vocal performance).

In 2011, she completed her studies at the Popov Choral Arts Academy (vocal performance). During her studies, Irina participated in numerous tours to Germany, Switzerland, Austria, France, Greece and Japan together with the student choir, where she frequently performed as a soloist.

In 2008–2014, she was a member of the “Madrigal” soloist ensemble. In 2014–2019, she was a soloist at the Moscow Regional Philharmonic. Since autumn 2019, Irina Terentyeva has been a member of the musicAeterna choir.

WHAT MADE YOU DECIDE TO BECOME A MUSICIAN?

I became interested in music back in my early childhood. We had a record of “Tales from the Vienna Woods” at home; my mother says I always used to start singing whenever it was put on. So when my parents suggested I should go to music school, I didn’t think twice.

WHAT PART DOES MUSIC PLAY IN YOUR LIFE?

It’s my job, my favourite pastime, my feelings and my mood. Music is my life.

WHAT MAKES MUSICAETERNA STAND OUT?

Teodor Currentzis for sure. As soon as he starts conducting, everything changes. You get an instant surge of inspiration and it becomes crystal clear what you’re supposed to do. Teodor is an incredibly charismatic person — it took me by surprise when I first met him.

ASIDE FROM MUSIC, WHAT ELSE ARE YOU INTERESTED IN?

Dancing, of course. As a child, I used to study ballet dancing — and I hope to resume that if I get a chance. Aside from that, pretty much anything can influence me in some way and give me certain emotions: books, art, cinema, nature, smells. Emotions are crucial to me. Even my voice doesn’t sound the same if I’m disinterested.

WHAT IS YOUR TYPICAL SCHEDULE ON THE DAY OF A CONCERT?

It’s totally ordinary, really. I just make sure I’m well-rested and not hungry.

WHAT IS YOUR “DESERT ISLAND” MUSIC ALBUM?

Pietro Locatelli’s violin concertos, I guess. That music is gorgeous — I could listen to it forever.

musicAeterna choir events

October 11, 19:00

Moscow | Zaryadye Hall

Hændel. A Dedication Ceremony to George Frideric Handel

Georg Friedrich Handel (1685–1759)

Prelude

Augelletti, ruscelletti, the aria of Maria Kleopova from the oratorio La resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

Disserratevi, o porte d’Averno, the aria of Angel from the oratorio La resurrezione, HWV 47 (1708)

Ah! Crudel nel pianto mio, the aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

As with Rosy Steps the Morn, the aria of Irina from the oratorio Theodora, HWV 68 (1750)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Pena tiranna, the aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Eternal Source of Light Divine, fragment from the cantata Ode for the Birthday of Queen Anne, HWV 74 (1713)

Alla Hornpipe, No. 2 from the orchestral suite
The Water Music No. 2 in D Major, HWV 349 (1716–1717)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Piangerò la sorte mia, the aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Ah! Stigie larve — Vaghe pupille, the recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)

Performers:

artists of the Anton Rubinstein Academy
Tatiana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
Ksenia Dorodova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Sofia Tsygankova, soprano
Andrey Nemzer, countertenor, soloist and vocal coach of the Anton Rubinstein Academy
musicAeterna Choir and Orchestra
musicAeterna Dance troupe

Music Director and Conductor Teodor Currentzis
Stage Director Elizaveta Moroz
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Production Designer, Costume Designer Sergey Illarionov
Choreographer Valentina Lutsenko

Buy Ticket

October 17, 22:30

Madrid | Auditorio Nacional de Música