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Sopranos

Irina Terentyeva

In the choir since 2019

Irina Terentyeva is a graduate of the Ulyanovsk music college (choir conducting) and the Gnessin State Music College (vocal performance).

In 2011, she completed her studies at the Popov Choral Arts Academy (vocal performance). During her studies, Irina participated in numerous tours to Germany, Switzerland, Austria, France, Greece and Japan together with the student choir, where she frequently performed as a soloist.

In 2008–2014, she was a member of the “Madrigal” soloist ensemble. In 2014–2019, she was a soloist at the Moscow Regional Philharmonic. Since autumn 2019, Irina Terentyeva has been a member of the musicAeterna choir.

WHAT MADE YOU DECIDE TO BECOME A MUSICIAN?
I became interested in music back in my early childhood. We had a record of “Tales from the Vienna Woods” at home; my mother says I always used to start singing whenever it was put on. So when my parents suggested I should go to music school, I didn’t think twice.
WHAT PART DOES MUSIC PLAY IN YOUR LIFE?
It’s my job, my favourite pastime, my feelings and my mood. Music is my life.
WHAT MAKES MUSICAETERNA STAND OUT?
Teodor Currentzis for sure. As soon as he starts conducting, everything changes. You get an instant surge of inspiration and it becomes crystal clear what you’re supposed to do. Teodor is an incredibly charismatic person — it took me by surprise when I first met him.
ASIDE FROM MUSIC, WHAT ELSE ARE YOU INTERESTED IN?
Dancing, of course. As a child, I used to study ballet dancing — and I hope to resume that if I get a chance. Aside from that, pretty much anything can influence me in some way and give me certain emotions: books, art, cinema, nature, smells. Emotions are crucial to me. Even my voice doesn’t sound the same if I’m disinterested.
WHAT IS YOUR TYPICAL SCHEDULE ON THE DAY OF A CONCERT?
It’s totally ordinary, really. I just make sure I’m well-rested and not hungry.
WHAT IS YOUR “DESERT ISLAND” MUSIC ALBUM?
Pietro Locatelli’s violin concertos, I guess. That music is gorgeous — I could listen to it forever.

musicAeterna choir events

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An event of Diaghilev Festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

Sold out
+
An event of Diaghilev Festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

Sold out
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An event of Diaghilev Festival

Marina Tsvetaeva’s Evening Gathering
a cross-genre performance

Director: Elizaveta Moroz
Conductor: Evgeny Vorobyov
Set design: Sergey Kretenchuk
Lighting design: Alexander Romanov
Video art: Maria Varakhalina
Costumes: Elizaveta Moroz and Sergey Kretenchuk

Featuring:
Soloists of the musicAeterna choir and orchestra
musicAeterna Сhoir
Yanina Lakoba, actress

Sold out
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An event of Diaghilev Festival

Playwright Bertolt Brecht
Composer Kurt Weill
Director Nina Vorobyeva
Set Designer Asya Mukhina
Lighting Designer Ruslan Mayorov
Choreographer Anna Garafeeva
Conductor Ilya Gaisin

Performers:
Guest artists
musicAeterna Orchestra and Choir

Sold out
+
An event of Diaghilev Festival

Playwright Bertolt Brecht
Composer Kurt Weill
Director Nina Vorobyeva
Set Designer Asya Mukhina
Lighting Designer Ruslan Mayorov
Choreographer Anna Garafeeva
Conductor Ilya Gaisin

Performers:
Guest artists
musicAeterna Orchestra and Choir

Sold out