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Altos

Ivan Petrov

In the choir since 2014

Ivan Petrov was born on March 3, 1990 in Mariinsk (Kemerovo Oblast, Russia). He finished the Mariinsk music school specializing in accordion and vocals. In 2007, Ivan entered the Glinka State Conservatory (Novosibirsk), where he studied vocals as a countertenor under Honored Artist of Tyva, Zhanna Vasilievna Chalova. In 2014, Ivan Petrov obtained his Master’s degree from the Conservatory.

CAN YOU REMEMBER YOUR FIRST MUSICAL IMPRESSION?
This was probably from the time when I was studying at music school. I was learning to play the accordion, and we had just started working on Bach’s music, which made an immense impression on me. His melodies are truly passionate, impulsive, powerful and harmonious.
TO YOU PERSONALLY, HOW IS LISTENING TO MUSIC DIFFERENT FROM PLAYING IT YOURSELF?
When I’m playing a piece, I get more immersed into it than when I’m just listening. Listening is not as intriguing; I prefer to play music. When you know the piece well enough to have grasped its very sense, you can turn off your mind when playing it — and then it feels like you are an instrument yourself, channeling the music from some greater power.
WHAT MUSIC DO YOU FIND THE MOST INSPIRING?
To me that would be music by Purcell and Monteverdi. Purcell’s melodism and Monteverdi’s harmonies appeal to me greatly.
WHAT DO YOU VALUE THE MOST IN WORKING WITH MUSICAETERNA?
MusicAeterna is a troupe that never stops evolving. We keep experimenting, we switch from music piece to music piece, we constantly learn and try something new. It is very educating, and it is really fun to do! For instance, I have recently taken a liking to Indian music and started learning to play the bansuri and the sitar. That is when I discovered that old European music (which I had considered the pinnacle of all music) stemmed from Indian raga — or had a lot in common with it, at least.
WHAT HAS BEEN YOUR FAVOURITE EXPERIMENT WITH THE MUSICAETERNA CHOIR?
The introduction of countertenors to the choir. The thing is, no other ensemble in Russia works with this type of voice. During my time at the conservatory, I could not find a job and everyone was laughing at me. So I had to work as a mime and as a photographer. This is why I am eternally grateful to Teodor for using my voice not only for old music but for classical and even contemporary music as well. This has been a unique experience.

musicAeterna choir events

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June 10, 21:00
St. Petersburg | Dom Radio
IM ÄTHER. Concert of choral music by Andreas Moustoukis
Choral concert

Andreas Moustoukis (b. 1971)
“Liturgy of St. Leontius” for mixed choir (2021)

Im Äther for mixed choir, 4 double basses, electronics, percussion and the ondes Martenot (2023, world premiere)

performers:
musicAeterna Choir and Orchestra Soloists

Conductor Vitaly Polonsky

MusicAeterna resident composer Andreas Moustoukis presents the result of his two-year work at Dom Radio. Together with the “Liturgy of St. Leontius”, fragments of which have been repeatedly heard in the concerts by the musicAeterna Choir, on June 6, the world premiere of his new composition – IM ÄTHER (“In Ether”) for mixed choir, 4 double basses, electronics, percussion and the ondes Martenot will take place. This is a micropolyphonic work based on the poems by Paul Celan interspersed with quotations from world cinema.

The author explains the essence of the new work as follows: “Im Äther (στον αιθέρα) is the need to breath out in the stratosphere were the gravitation is low and all the time is becoming one and a single moment of a crystal silence. The past, the present and the future stop to exist between then and now in a violent and compensating ‘why’, they just exist timelessly in the cosmic black as if they were small red shining dots of love, the tears of eternity.”

Photo: Selena Zhigulskaya