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Tenors

Pavel Semagin

In the choir since 2019

WHAT BROUGHT YOU TO THE WORLD OF MUSIC?
My musical life started with a video ad. I was walking down the street and humming some tune from the TV that was playing in my head. Mom noticed that it was pitch-perfect, and at that moment my fate was decided.
DO YOU REMEMBER YOUR FIRST ENTRANCE ON STAGE?
My brother and I were lucky: at the choral school we appeared on stage in Andrei Konchalovsky's production of War and Peace at the Mariinsky Theatre. Valery Gergiev was at the conductor's stand, and Anna Netrebko was among the performers. We went on tour and performed in Covent Garden, La Scala. A funny moment comes to mind: in the performance I had to make a practical joke of Pierre Bezukhov and knock off his hat. Once, the actor playing this role turned around at the wrong time, and I accidentally hit him so hard on stage that his hat jetted off into the orchestra pit. But no one seemed offended.
WHAT MAKES MUSICAETERNA DIFFER FROM OTHER ENSEMBLES?
Sometimes, when you open a new score, it seems complicated and incomprehensible. Yet one of my teachers used to say, ‘You should never give up a piece of music. Any music piece needs to be studied, picked to pieces and loved.’ At musicAeterna, very in-depth and meticulous work takes place before each performance: we take classes with a vocal coach, rehearse with a choirmaster, work on the text and merging voices in the section. Thanks to this careful approach, it is possible to immerse oneself in the material at various levels and convey to the listener the full depth and intent of the composer.
WHAT MOTIVATES YOU IN YOUR WORK?
It was quite late when I met a mentor who taught me how to really sing. At first, it was confusing that I was praised in every lesson. I even asked not to compliment me, I was afraid that I would be jinxed. But she told me that it's important to do everything with love. If an artist doesn't enjoy himself, doesn't feel love, what can he convey to the audience? I have kept this approach for the rest of my life and apply it not only to my students in vocal lessons, but also, of course, when I am teaching my daughter. I try to make sure that love always comes first.
IF YOU DIDN'T BECOME A MUSICIAN, WHO WOULD YOU BE?
As a child, I really wanted to play football, loved doing it, and even wanted to become a football player for a while. But I didn't have enough time left for training: choral college requires a serious approach and a lot of work. However, later this sport came back into my life. I even played in the Bolshoi Theatre team when I sang in the choir there. Observing the guys from our team (the choir plays volleyball, the orchestra plays football), I returned to my hobby and to an active lifestyle.
DO YOU HAVE ANY LIFE CREDO?
I realized that happy people are those who appreciate what they have. It sounds pretty simple, but we don't always really think about how much we're given. For example, I have a blind friend. It would seem that it must be very difficult for him: he is deprived of many opportunities, he has to cope with a lot of limitations. Yet I realize that he lives a happy life: he spends time with us, talks, one day he even played billiards with us. I'm also trying to appreciate everything that I have in my life, and not forget about it.

musicAeterna choir events

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Hildegardof Bingen (1098–1179)
O virga ac diadema | O branch and diadem
sequence

Teodor Currentzis
Alleluia

Φῶς ἱλαρὸν | O Gladsome Radiance
the entrance chant of Great Vespers, the Byzantine tradition

Sergei Rachmaninoff (1873–1943)
 Voskres iz groba |Christ is risen from the grave
Troparion No. 14 from the All-Night Vigil for mixed choir, Op. 37 (1915) 

Henryk Mikołaj Górecki (1933–2010)
Amen for mixed choir, Op. 35 (1975)

Ἐξομολογεῖσθε τῷ Κυρίῳ | Confess to the Lord
antiphon of the Byzantine tradition

Sub tuum praesidium | Under Your mercy we take refuge
hymn to the Virgin (3rd-4th century)

Alexander Knaifel (1943–2024)
Uteshityelyu | To thee, Comforter
Prayer to the Holy Spirit for mixed choir (1995)

Ave rex gentis anglorum | Hail, King of the English people
hymn to King Edward the Martyr (England, 11th century)

Francis Poulenc (1899–1963)
Ave verum corpus (1952)

Benjamin Britten (1913–1976)
A Hymn to the Virgin for double choir (1930)

Teodor Currentzis
Εωθινόν | Morning Chant (2022)

Improvisation on Bikapo sound sculptures

The programme is subject to change.

Musical Director and Conductor Teodor Currentzis
Stage Director Anna Guseva
Choirmaster Vitaly Polonsky
Choreographer Aisylu Mirhafizkhan
Lighting Designer Natalia Tuzova

Performers:

musicAeterna Choir
musicAeterna Dance
musicAeterna Orchestra soloists and guest artists:
Alexander Shirunov, accordion
Sasha Listova, piano
Andrey Baranenko, organ
Alexey Amosov, Andrey Volosovsky, Maxim Sanin, percussion
Yiorgos Kaloudis, classical Cretan lyra
Maria Zorkina, lever harp
Olga Komok, organetto

Bikapo improvisation performers:
Lada Raskolnikova
Alexey Sulin
Mikhail Myasoyedov
Eleonora Myasoyedova

+

Hildegardof Bingen (1098–1179)
O virga ac diadema | O branch and diadem
sequence

Teodor Currentzis
Alleluia

Φῶς ἱλαρὸν | O Gladsome Radiance
the entrance chant of Great Vespers, the Byzantine tradition

Sergei Rachmaninoff (1873–1943)
 Voskres iz groba |Christ is risen from the grave
Troparion No. 14 from the All-Night Vigil for mixed choir, Op. 37 (1915) 

Henryk Mikołaj Górecki (1933–2010)
Amen for mixed choir, Op. 35 (1975)

Ἐξομολογεῖσθε τῷ Κυρίῳ | Confess to the Lord
antiphon of the Byzantine tradition

Sub tuum praesidium | Under Your mercy we take refuge
hymn to the Virgin (3rd-4th century)

Alexander Knaifel (1943–2024)
Uteshityelyu | To thee, Comforter
Prayer to the Holy Spirit for mixed choir (1995)

Ave rex gentis anglorum | Hail, King of the English people
hymn to King Edward the Martyr (England, 11th century)

Francis Poulenc (1899–1963)
Ave verum corpus (1952)

Benjamin Britten (1913–1976)
A Hymn to the Virgin for double choir (1930)

Teodor Currentzis
Εωθινόν | Morning Chant (2022)

Improvisation on Bikapo sound sculptures

The programme is subject to change.

Musical Director and Conductor Teodor Currentzis
Stage Director Anna Guseva
Choirmaster Vitaly Polonsky
Choreographer Aisylu Mirhafizkhan
Lighting Designer Natalia Tuzova

Performers:

musicAeterna Choir
musicAeterna Dance
musicAeterna Orchestra soloists and guest artists:
Alexander Shirunov, accordion
Sasha Listova, piano
Andrey Baranenko, organ
Alexey Amosov, Andrey Volosovsky, Maxim Sanin, percussion
Yiorgos Kaloudis, classical Cretan lyra
Maria Zorkina, lever harp
Olga Komok, organetto

Bikapo improvisation performers:
Lada Raskolnikova
Alexey Sulin
Mikhail Myasoyedov
Eleonora Myasoyedova