St. Petersburg
Plyas (Dance) is a cycle of workshops for those who wish to master the freedom of movement and learn how to express emotions in bodily plastics. The meetings take place every Saturdays starting from September 10. The classes are given by Valentina Lutsenko, a dance artist and a performer who has been teaching dance practices since 2009.
In the new season, musicAeterna resumes its choral workshop “Raspev” and invites everyone interested in choral singing practice to Dom Radio.
A new curriculum is launched within Dom Radio educational programme. Theories About Practice: Reflection on Dance and Performance of the 20th and 21st Centuries.
Yiorgos Kaloudis
Aptera (in C Minor, for solo classical Cretan lyra)
Pelagos (in G Minor, for solo cello)
Kochyli
Trikymia (in G Minor, for solo classical Cretan lyra)
Synchoresis
Orthi Petra (Necropolis) (in D Minor, for classical Cretan lyra, cello, looper)
Cosmos (in C Major, for classical Cretan lyra, looper and electronics)
Metabasis (in C Sharp Minor, for cello, vocals, looper and electronics)
Yiorgos Kaloudis
April
Balo Sokak
Paramythi
Swell
Panselinos
Parthenia
Mistake
First Light
Storm
A new curriculum is launched within Dom Radio educational programme. Theories About Practice: Reflection on Dance and Performance of the 20th and 21st Centuries.
A new curriculum is launched within Dom Radio educational programme. Theories About Practice: Reflection on Dance and Performance of the 20th and 21st Centuries.
Plyas (Dance) is a cycle of workshops for those who wish to master the freedom of movement and learn how to express emotions in bodily plastics. The meetings take place every Saturdays starting from September 10. The classes are given by Valentina Lutsenko, a dance artist and a performer who has been teaching dance practices since 2009.
In the new season, musicAeterna resumes its choral workshop “Raspev” and invites everyone interested in choral singing practice to Dom Radio.
Sergei Rachmaninoff (1873 – 1943)
Symphony No. 2 in E Minor, Op. 27 (1906-1907)
I. Largo – Allegro moderato
II. Allegro molto
III. Adagio
IV. Allegro vivace
Nikolai Rimsky-Korsakov (1844 – 1908)
Scheherazade, a symphonic suite, Op. 35 (1888)
I. The Sea and Sinbad’s Ship
Largo e maestoso – Lento – Allegro non troppo – Tranquillo
II. The Story of the Kalendar Prince
Lento – Andantino – Allegro molto – Vivace scherzando – Moderato assai – Allegro molto ed animato
III. The Young Prince and the Young Princess
Andantino quasi allegretto – Pochissimo più mosso – Come prima – Pochissimo più animato
IV. Festival at Baghdad. The Sea. The Ship Breaks against a Cliff Surmounted by a Bronze Horseman. Conclusion.
Allegro molto – Lento – Vivo – Allegro non troppo e maestoso – Tempo come I
The musicAeterna Orchestra
Conductor – Teodor Currentzis
Dom Radio is a historical venue at the intersection of Italianskaya and Malaya Sadovaya Streets. Throughout its more than a hundred-year history, the walls of Dom Radio have seen the balls of the Noble Assembly, the work of a Japanese hospital, been filled with the voices of Olga Bergholz and Dmitri Shostakovich, have successively become a stronghold of the new Soviet culture and a hub for advanced media technologies.
Today, Dom Radio is a symbolic landmark where voices continue to sound, where music is being born. It is a building that cherishes the memory of the past, and whose heart is beating in the rhythm of modernity together with musicAeterna projects under the artistic direction of Teodor Currentzis.
We invite you to immerse yourself in the atmosphere of Dom Radio, explore its history and become its part by visiting our mediated tours. Mediated tours provide an opportunity to interact with the environment and actively study it with the assistancee from expert guides who know almost everything about the venue.
Sergei Rachmaninoff (1873 – 1943)
Symphony No. 2 in E Minor, Op. 27 (1906-1907)
I. Largo – Allegro moderato
II. Allegro molto
III. Adagio
IV. Allegro vivace
Nikolai Rimsky-Korsakov (1844 – 1908)
Scheherazade, a symphonic suite, Op. 35 (1888)
I. The Sea and Sinbad’s Ship
Largo e maestoso – Lento – Allegro non troppo – Tranquillo
II. The Story of the Kalendar Prince
Lento – Andantino – Allegro molto – Vivace scherzando – Moderato assai – Allegro molto ed animato
III. The Young Prince and the Young Princess
Andantino quasi allegretto – Pochissimo più mosso – Come prima – Pochissimo più animato
IV. Festival at Baghdad. The Sea. The Ship Breaks against a Cliff Surmounted by a Bronze Horseman. Conclusion.
Allegro molto – Lento – Vivo – Allegro non troppo e maestoso – Tempo come I
The musicAeterna Orchestra
Conductor – Teodor Currentzis
A new curriculum is launched within Dom Radio educational programme. Theories About Practice: Reflection on Dance and Performance of the 20th and 21st Centuries.
The lecture cycle Psychoanalysis in the Space of Sounds is devoted to various aspects of the relationship between music and psychoanalysis.
A new curriculum is launched within Dom Radio educational programme. Theories About Practice: Reflection on Dance and Performance of the 20th and 21st Centuries.
A new curriculum is launched within Dom Radio educational programme. Theories About Practice: Reflection on Dance and Performance of the 20th and 21st Centuries.
Plyas (Dance) is a cycle of workshops for those who wish to master the freedom of movement and learn how to express emotions in bodily plastics. The meetings take place every Saturdays starting from September 10. The classes are given by Valentina Lutsenko, a dance artist and a performer who has been teaching dance practices since 2009.
In the new season, musicAeterna resumes its choral workshop “Raspev” and invites everyone interested in choral singing practice to Dom Radio.
Johann Sebastian Bach (1685 – 1750)
Singet dem Herrn ein neues Lied, motet for double chorus in B-flat major, BWV 225 (1726-1727)
Der Geist hilft unser Schwachheit auf , motet for double chorus in B-flat major, BWV 226 (1729)
Jesu, meine Freude, motet for four- and five-voice choir and five soloists (2 sopranos, alto, tenor, bass) in E minor, BWV 227 (1723)
Fürchte dich nicht, ich bin bei dir, motet for double chorus and duplicate instruments in A major, BWV 228 (1726 or 1708-1717)
Komm, Jesu, komm, motet for double choir in G minor, BWV 229 (before 1731-1732)
Lobet den Herrn, alle Heiden, motet for four-voice choir, backup instruments and basso continuo in C major, BWV 230 (w.d.)
Ich lasse dich nicht, du segnest mich denn, motet for tenor, bass, chorus and backup instruments in F minor, BWV 1164 (BWV Anh. 159, near 1712)
musicAeterna Choir
conductor Vitaly Polonsky
Johann Sebastian Bach (1685 – 1750)
Singet dem Herrn ein neues Lied, motet for double chorus in B-flat major, BWV 225 (1726-1727)
Der Geist hilft unser Schwachheit auf , motet for double chorus in B-flat major, BWV 226 (1729)
Jesu, meine Freude, motet for four- and five-voice choir and five soloists (2 sopranos, alto, tenor, bass) in E minor, BWV 227 (1723)
Fürchte dich nicht, ich bin bei dir, motet for double chorus and duplicate instruments in A major, BWV 228 (1726 or 1708-1717)
Komm, Jesu, komm, motet for double choir in G minor, BWV 229 (before 1731-1732)
Lobet den Herrn, alle Heiden, motet for four-voice choir, backup instruments and basso continuo in C major, BWV 230 (w.d.)
Ich lasse dich nicht, du segnest mich denn, motet for tenor, bass, chorus and backup instruments in F minor, BWV 1164 (BWV Anh. 159, near 1712)
musicAeterna Choir
conductor Vitaly Polonsky