In particular, at the Salzburg Festival in 2022, she performed the role of the Second Witch in Purcell’s opera Dido and Aeneas and the alto part in Schnittke’s Requiem conducted by Gregor Mayrhofer.
In 2024, she performed as a soloist in Mozart’s Coronation Mass with conductor Dmitry Sinkovsky and performed the role of the Third Lady in Mozart’s opera The Magic Flute at the Diaghilev Festival in Perm.

Since 2024, she has been collaborating with the Utopia Choir under the direction of Teodor Currentzis: at the Salzburg Festival, she performed solo parts in Bach’s St Matthew Passion (2024) and Purcell’s opera The Indian Queen.
In the same year, she began collaborating with La Capella Reial de Catalunya under the leadership of Jordi Savall. With this ensemble, she has performed solo parts in Beethoven’s Symphony No. 9 (2024), Mozart’s Mass in C Minor (2025), and Schumann’s oratorio Paradise and the Peri (2025). In May 2026, she recorded solo arias for Jordi Savall’s album Vivaldi: Ospedale della Pietà and made her debut as a soloist on the stages of Palau de la Música in Valencia and L’Auditori in Barcelona with this programme.

In 2025, she performed as Spring in Scarlatti’s opera The Glory of Spring conducted by Iñaki Encina Oyón at the Festival du Périgord Noir (France) as part of the International Baroque Academy, and also became a member of the Bachcelona Academy (Barcelona) under the direction of Lluís Vilamajó. As part of the Academy, she performed in concerts with Bach cantatas and motets in Gijon and Barcelona at the Sagrada Familia and L‘Auditori.