Diliaver Menametov
In the orchestra since 2004
Dilyaver Menametov graduated from the Glinka Novosibirsk State Conservatory as a double bass player (the class of Professor Valery Boldin) in 2004.
In 2003, he became an artist of the Novosibirsk Opera and Ballet Theatre Symphony Orchestra. Since 2004, he has collaborated with the musicAeterna Orchestra as the concertmaster of the double bass group. Since 2005, he has worked as a double bass player in the Novosibirsk Academic Symphony Orchestra. He performed as a double bass soloist, and was one of the first in Russia to perform the works by Johann Baptist Vanhal, Wolfgang Amadeus Mozart, and Johannes Matthias Sperger in the original ‘Viennese tuning’. In 2011, together with the musicAeterna Orchestra, he moved to Perm, where he founded the Barocco A La Prima ensemble specializing in historically informed performance. From 2020 to 2023 he was the concertmaster of the double bass group of the Perm Opera and Ballet Theatre Symphony Orchestra.
He maintains an active concert career as a double bass soloist and viola da gamba player.
musicAeterna orchestra events
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano
Gustav Mahler (1860–1911)
Symphony No. 2 ‘Resurrection’ in C Minor
for soprano, alto, mixed choir and orchestra (1888–1894)
Allegro maestoso
Andante moderato
In ruhig fließender Bewegung | With quietly flowing movement
Urlicht. Sehr feierlich, aber schlicht | Primal Light. Very solemn, but simple
Im Tempo des Scherzos | In the tempo of the scherzo
The musicAeterna Orchestra and Choir
Guest soloists
Conductor Teodor Currentzis
Soloists:
Sofya Tsygankova, soprano
Yulia Vakula, mezzo-soprano