Iveta Simonyan
Soprano
Born in Novosibirsk, Iveta Simonyan graduated from the Rimsky-Korsakov St Petersburg State Conservatory where she studied in the class of Professor Olga Kondina. She has refined her skills in master classes with renowned musicians, including Teodor Currentzis, Jennifer Larmore, Dmitry Vdovin, and Tamara Novichenko.
She is a laureate and prize winner of numerous vocal competitions. Notable awards include the diploma at the New Opera World International Opera Competition (Moscow, 2020), the special prize of the Chairman of the jury at the Opera Bella Competition (Moscow, 2021), the Second Prize at the Leonid Sobinov Vocal Competition within the Leonid Sobinov Music Festival (Saratov, 2022), and the award at the All-Russian Vocalists Competition (St. Petersburg, 2024).
Iveta Simonyan made her professional debut in 2023 as the Queen of the Night in Mozart’s The Magic Flute on the stage of the St Petersburg Music Hall Theatre. From 2023 to 2025, she was a soloist of the Primorsky Stage of the Mariinsky Theatre and took part in the First Far Eastern Easter Festival. Her repertoire at that stage included the parts of the Queen of the Night (Mozart’s The Magic Flute), Gilda (Verdi’s Rigoletto), Voices from Heaven (Verdi’s Don Carlos), Frasquita (Bizet’s Carmen), Norina (Donizetti’s Don Pasquale), Marfa (Rimsky-Korsakov’s The Tsar’s Bride), Ninetta (Prokofiev’s The Love for Three Oranges), and Brigitte (Tchaikovsky’s Iolanta).
In the 2025/26 season, Iveta Simonyan became an artist-mentee at the Anton Rubinstein Academy. At the Academy, she made her debut in the Händel. A Dedication Ceremony project, presented in St Petersburg (Dom Radio), Moscow (Zaryadye Concert Hall), Thessaloniki, Madrid (Auditorio Nacional de Música), Valencia (Palacio de la Música) and Barcelona (Palau de la Música Catalana).
In September 2026, she made her debut on the stage of the Moscow Novaya Opera Theatre in the title role of Pascal Dusapin’s Passion with the musicAeterna Orchestra and Choir conducted by Teodor Currentzis.
Events
György Kurtág (b. 1926)
Songs of Despair and Sorrow for mixed choir with instrumental accompaniment, Op. 18 (1980–1994)
So weary, so wretched to the words of Mikhail Lermontov (1840)
Night, an empty street, a lamp, a drug-store to the words of Alexander Blok (1912)
Blue Evening to the words of Sergei Yesenin (1925)
Where can I go to in this January? to the words of Osip Mandelstam (1937)
The Crucifixion to the words of Anna Akhmatova (1939)
It’s time to the words of Marina Tsvetaeva (1941)
Grabstein für Stephan | Gravestone for Stephan for guitar and instrumental ensemble, Op. 15c
(1989)
Johannes Brahms (1833–1897)
Ein deutsches Requiem | A German Requiem for soprano, baritone, choir and orchestra, Op. 45 (1865–1869)
Selig sind, die da Leid tragen | Blessed are those who weep, for they will be comforted
Denn alles Fleisch, es ist wie Gras | For all flesh is like grass
Herr, lehre doch mich, dass ein Ende mit mir haben muss | Lord, teach me that I must have an end
Wie lieblich sind Deine Wohnungen, Herr Zebaoth! | How lovely is Thy dwelling place, O Lord of hosts!
Ihr habt nun Traurigkeit | Ye now therefore have sorrow
Denn wir haben hier keine bleibende Statt | For here we have no continuing city
Selig sind die Toten, die in dem Herrn sterben | Blessed are the dead who die in the Lord
The programme is subject to change.
Performers:
Iveta Simonyan — soprano
Vladislav Chizhov — baritone
The musicAeterna Choir and Orchestra
Conductor — Teodor Currentzis