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Second Violins

Kristina Taha

In the orchestra since 2023

Having graduated from the Tchaikovsky Moscow State Conservatory in 2023, Kristina Takha entered the internship programme of the Faculty of Historical and Contemporary Performing (classes of Associate Professor Oksana Tikhonova and Associate Professor Dmitry Sinkovsky).

Since 2021, as a guest artist she has been collaborating with the State Academic Chamber Orchestra of Russia conducted by Alexei Utkin. She is a member of the symphony ensemble Persimfans. She participates in projects of such Baroque music ensembles as Collegium musicum, Les Moscovites, and Pratum Integrum. She is an artist of the School of Dramatic Art Theatre.

WHY DID YOU CHOOSE YOUR INSTRUMENT?
When I was three years old, my mother brought me to a music school for rhythmic and general training. When it was time for me to choose an instrument, I asked for the violin out of pity; I felt sorry that most children wanted to play the piano while no one picked the violin.
WHICH MUSIC IS MORE INTERESTING FOR YOU TO WORK WITH: EARLY OR MODERN?
My path in music has been far from linear. At first, I studied at the Gnessin Academy of Music for a year. Then, inspired by the playing of violinist Dmitry Sinkovsky, I entered the Faculty of Historical and Contemporary Performance at the Moscow Conservatory. This year I'm finishing my postgraduate studies there. I believe that the difficulties at the beginning of my journey led me to where I was meant to be — Baroque music. So, now my professional activity is primarily related to historically informed performance.
WHAT DO YOU VALUE MOST IN WORKING WITH THE MUSICATERENA ORCHESTRA?
Now, the most valuable aspect of the orchestra for me is not the level of the musicians' skill (which goes without saying), but their human qualities: kindness and openness. There truly is atmosphere of support and mutual respect in our orchestra. It is a great honour for me to work in an ensemble where everyone is not only deeply passionate about the music, but also attentive to those who are nearby.
WHAT KIND OF MUSIC DO YOU LISTEN TO?
I love music written before Bach. Most of all, I enjoy early Italian Baroque music. I can listen to Monteverdi's operas or madrigals for hours. This music tells about something sincere and deep, but it is written in simple language. Biber's music holds a special place in my heart. I dream of performing all of his Rosary cycle one day. If to speak about Bach, then the interpretations of Isabel Faust are closest to me.
WHAT ELSE, ASIDE FROM MUSIC, CAPTURES YOUR FASCINATION AND INTEREST?
No other pursuit fascinates me as much as music, but I am a passionate figure skating fan. It organically combines sports and art. I try not to miss any major competitions and watch them online or at least on the record.

musicAeterna orchestra events

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April 25, 20:00
Moscow | Tchaikovsky Concert Hall
Сoncert of musicAeterna. Rameau: The Sound of Light. Vol. 2
Symphony concert

Performers:
The musicAeterna Orchestra and Choir
Artists of the Anton Rubinstein Academy
Musical Director and Conductor – Teodor Currentzis

Sold out
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April 26, 20:00
Moscow | Tchaikovsky Concert Hall
Сoncert of musicAeterna. Rameau: The Sound of Light. Vol. 2
Symphony concert

Performers:
The musicAeterna Orchestra and Choir
Artists of the Anton Rubinstein Academy
Musical Director and Conductor – Teodor Currentzis

Sold out
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May 25, 20:00
Moscow | Great Hall of the Conservatory
Hændel. A Dedication Ceremony to George Frideric Handel

The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.

The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.

Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna

Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov