Altos

Marina Inovlotskaya

In the choir since 2019

Marina Inovlotskaya graduated from the Conducting and Choral Department of the St. Petersburg State Conservatory. She has worked with such musicians as Ennio Morricone, Montserrat Caballe, Maris Jansons, Yuri Temirkanov, Nikolai Kornev, Alexander Titov, etc. Guest artist at the Houston Symphony Chorus (Texas, USA). She joined the musicAeterna choir in 2019.

WHAT IS THE DIFFERENCE BETWEEN THE MUSICAETERNA CHOIR AND OTHER ENSEMBLES?

In musicAeterna projects, we are constantly venturing into something new, and the ability to quickly adapt to these changes is important in our work. Such delicate matters as musical and plastic arts cannot be squeezed into ironclad structures — they simply won't fit there. You need to find an approach to them, breathe them in, taste them and, of course, make friends. Therefore, when you easily react to changing tasks, the process becomes faster and more exciting.

WHAT DO YOU LISTEN TO IN YOUR FREE TIME?

I often listen to the music of Brian McKnight, Eric Marienthal, Ennio Morricone, and BB King. I am constantly discovering new beauties and rhythms in music!

WHAT DOES THE HOUSE OF YOUR DREAMS LOOK LIKE?

This is a house in a warm sunny place near a river or a lake. By all means, it has a green lawn, coniferous trees, blooming hydrangeas and roses.

WHAT IS YOUR PERFECT DAY OFF LIKE?

It involves taking a thermos of strong tea and going to the countryside. Listening to birds, walking along forest paths, and breathing.

musicAeterna choir events

An event of Diaghilev Festival

June 13, 20:00

Perm | House of Music (Shpagin plant)

Hændel. A Dedication Ceremony to George Frideric Handel. Opening concert of the festival

George Frideric Handel (1685–1759)

Augelletti, ruscelletti, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

E pur così in un giorno – Piangerò la sorte mia, recitative and aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Welcome as the Dawn of Day, duet from the oratorio Solomon, HWV 67 (1749)

Disserratevi, o porte d’Averno, aria of the Angel from the oratorio The Resurrection (La Resurrezione), HWV 47 (1708)

Ah! Crudel nel pianto mio, aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

Sarabande from the Partita in G major for solo harpsichord, HWV 450 (1700–1705)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Piangete sì, piangete, aria of Mary Cleophas from the oratorio La Resurrezione, HWV 47 (1708)

As With Rosy Steps the Morn, recitative and aria of Irene from the oratorio Theodora, HWV 68 (1750)

Alla Hornpipe, No. 2 from Water Music Suite No. 2 in D major, HWV 349 (1716–1717)

Pena tiranna, aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Amarti sì vorrei, aria of Agilea from the opera Teseo, HWV 9 (1713)

Fermati! / No, crudel!, duet of Armida and Rinaldo from the opera Rinaldo, HWV 78 (1711)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Ah! Stigie larve — Vaghe pupille, recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

Oh Love Divine, Thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Performers:
musicAeterna orchestra and choir
musicAeterna Dance company
artists from the Anton Rubinstein Academy

Conductor – Teodor Currentzis

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An event of Diaghilev Festival

June 14, 20:00