Altos

Marina Inovlotskaya

In the choir since 2019

Marina Inovlotskaya graduated from the Conducting and Choral Department of the St. Petersburg State Conservatory. She has worked with such musicians as Ennio Morricone, Montserrat Caballe, Maris Jansons, Yuri Temirkanov, Nikolai Kornev, Alexander Titov, etc. Guest artist at the Houston Symphony Chorus (Texas, USA). She joined the musicAeterna choir in 2019.

WHAT IS THE DIFFERENCE BETWEEN THE MUSICAETERNA CHOIR AND OTHER ENSEMBLES?

In musicAeterna projects, we are constantly venturing into something new, and the ability to quickly adapt to these changes is important in our work. Such delicate matters as musical and plastic arts cannot be squeezed into ironclad structures — they simply won't fit there. You need to find an approach to them, breathe them in, taste them and, of course, make friends. Therefore, when you easily react to changing tasks, the process becomes faster and more exciting.

WHAT DO YOU LISTEN TO IN YOUR FREE TIME?

I often listen to the music of Brian McKnight, Eric Marienthal, Ennio Morricone, and BB King. I am constantly discovering new beauties and rhythms in music!

WHAT DOES THE HOUSE OF YOUR DREAMS LOOK LIKE?

This is a house in a warm sunny place near a river or a lake. By all means, it has a green lawn, coniferous trees, blooming hydrangeas and roses.

WHAT IS YOUR PERFECT DAY OFF LIKE?

It involves taking a thermos of strong tea and going to the countryside. Listening to birds, walking along forest paths, and breathing.

musicAeterna choir events

October 11, 19:00

Moscow | Zaryadye Hall

Hændel. A Dedication Ceremony to George Frideric Handel

Georg Friedrich Handel (1685–1759)

Prelude

Augelletti, ruscelletti, the aria of Maria Kleopova from the oratorio La resurrezione, HWV 47 (1708)

Zadok the Priest, Coronation Anthem No. 1, HWV 258 (1727)

Disserratevi, o porte d’Averno, the aria of Angel from the oratorio La resurrezione, HWV 47 (1708)

Ah! Crudel nel pianto mio, the aria of Armida from the opera Rinaldo, HWV 78 (1711)

Overture to the opera Agrippina, HWV 6 (1709–1710)

As with Rosy Steps the Morn, the aria of Irina from the oratorio Theodora, HWV 68 (1750)

De torrente in via bibet, duet with chorus from the psalm Dixit Dominus, HWV 232 (1707)

Oh, Let the Merry Bells Ring Round, aria with chorus from the oratorio L’Allegro, il Penseroso ed il Moderato, HWV 55 (1740)

Pena tiranna, the aria of Dardano from the opera Amadigi di Gaula, HWV 11 (1715)

Eternal Source of Light Divine, fragment from the cantata Ode for the Birthday of Queen Anne, HWV 74 (1713)

Alla Hornpipe, No. 2 from the orchestral suite
The Water Music No. 2 in D Major, HWV 349 (1716–1717)

He Saw the Lovely Youth, chorus from the oratorio Theodora, HWV 68 (1750)

Piangerò la sorte mia, the aria of Cleopatra from the opera Giulio Cesare in Egitto, HWV 17 (1724)

Ah! Stigie larve — Vaghe pupille, the recitative and aria of Orlando from the opera Orlando, HWV 31 (1733)

O Love Divine, thou Source of Fame, chorus from the oratorio Theodora, HWV 68 (1750)

Sing Ye to the Lord, chorus with solo soprano from the oratorio Israel in Egypt, HWV 54 (1739)

Performers:

artists of the Anton Rubinstein Academy
Tatiana Bikmukhametova, soprano
Yulia Vakula, mezzo-soprano
Ksenia Dorodova, soprano
Diana Nosyreva, soprano
Iveta Simonyan, soprano
Sofia Tsygankova, soprano
Andrey Nemzer, countertenor, soloist and vocal coach of the Anton Rubinstein Academy
musicAeterna Choir and Orchestra
musicAeterna Dance troupe

Music Director and Conductor Teodor Currentzis
Stage Director Elizaveta Moroz
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Production Designer, Costume Designer Sergey Illarionov
Choreographer Valentina Lutsenko

Buy Ticket

October 17, 22:30

Madrid | Auditorio Nacional de Música