Top.Mail.Ru
Sopranos

Tamara Konstantinova

In the choir since 2025

Tamara Konstantinova was born in Chișinău, Moldova. She graduated from the vocal department of Novosibirsk Murov Music College and Moscow Popov Academy of Choral Art. She is the laureate of numerous festivals and competitions, including the XII Dargomyzhsky All-Russian Competition (I Prize, 2018), IV Prima Voce International Festival-Competition (III Prize, 2021), and Lemeshev International Vocal Competition (I Prize, 2021). Also, she is a Diploma winner of the VIII Shtokolov International Vocal Competition (2024).

Tamara Konstantinova is the soloist of the Palestrina Show vocal project of Moscow Popov Academy of Choral Art? As well as the soloist of the Lumisfera project.

WHAT BROUGHT YOU INTO THE WORLD OF MUSIC?
I've been involved in music since I was a child — I started singing at a music school when I was six. In kindergarten I was supposed to recite a poem for Santa Claus. My mom and I practiced it for two weeks. But when Santa asked if I wanted to say a poem or sing a song, I got scared and chose to sing instead. It was a complete improvisation, but after that, people started asking my mom where I was taking singing lessons and why I sang so well. That happy accident brought me into music.
HOW DID YOUR COLLABORATION WITH MUSICAETERNA BEGIN?
Last year, I applied to join the Youth Choir of the Diaghilev Festival but couldn’t make it in the end. Right before the festival, I wrote to Vitaly Anatolyevich Polonsky, and then I flew from Moscow to St. Petersburg for one day just for the audition. I sang the soprano part from the fugue in Verdi’s Requiem and the romance Rusalka by Glière. In January this year, I joined the choir.

MusicAeterna is the best ensemble in the country. I really love that even as a choir member, you have the chance to sing solo. I wasn’t expecting to do that so soon — I thought I’d grow into it gradually. But it happened that just a few days after joining, I performed a solo in mandorla by Alexey Retinsky.
WHAT’S YOUR FAVORITE MUSIC?
I don’t divide music into “high” and “low” — I just go with what fits my mood. Sometimes I’ll listen to indie music on repeat, and other times I’ll dive into Shostakovich and listen to his symphonies all week. I’ve really enjoyed working with contemporary music. It’s so free from stereotypes and rules — you want electronics? Go for it. You want to prepare a piano? Sure. That kind of freedom lets it express so much.
HOW DO YOU LIKE TO SPEND YOUR FREE TIME?
In Saint Petersburg, I have a favorite spot. There’s a pastry shop called Sever at the “Gostiny Dvor” metro station that’s been around since 1905. My great-great-grandmother took my great-grandmother there, then my grandmother went with my great-grandmother, and later she took me when I first visited the city. It’s a special place for me. Of course, it has changed a lot over the years, but it’s amazing that I can still go to the exact same place as generations of my family.
WHERE DO YOU FIND YOUR ENERGY?
I don’t like how TV series and reels mess with my focus. I prefer other kinds of entertainment — mostly lectures, especially about history and art. Lately, I’ve been exercising a lot — the long-lasting dopamine really helps. Once it warms up a bit, I’ll start running again, but for now I’m doing yoga and strength training. I also love to travel. I’ve been to Spain, Portugal, and Italy. I dream of going to Iceland, New Zealand, and the North Pole.

musicAeterna choir events

+
May 24, 19:00
Nizhny Novgorod | Warehouse Concert Hall
Hændel. A Dedication Ceremony to George Frideric Handel
Ceremony

The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.

The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.

Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna

Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov

+
May 25, 20:00
Moscow | Great Hall of the Conservatory
Hændel. A Dedication Ceremony to George Frideric Handel
Ceremony

The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.

The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.

Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna

Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov

Sold out