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Horns

Jairo Gimeno

In the orchestra since 2022

Jairo Gimeno was born in Valencia (Spain) in 1993. He started playing horn in the Benimaclet Musical Society with Prof. Gabriel Diago. After finishing with honors, bachelor studies in Valencia and also in Esmuc (Barcelona) with Javier Bonet, who discovered him the world of the period instruments, he continued his studies of Natural Horn with Teunis van der Zwart in The Royal Conservatory of The Hague (Netherlands) finishing in 2019. He has been a soloist and an artist of the musicAeterna orchestra since 2022.

He performs regularly with period music ensembles from all over Europe as: Freiburger Baroque Orquesta (Germany), Orchestra of the Eighteenth Century (Netherlands), Le Concert des Nations, Les Musiciens du Louvre, Il Pomodoro, Les Musiciens du Prince (Monaco), Capella Cracoviensis (Poland), Die Kölner Akademie (Germany), Ensemble Cristofori (France),

Das Neue Orchestra (Germany), Forma Antiqva (Spain), L’arte del mondo (Germany), The Haydn Philharmonie (Austria), La Ritirata (Spain), {oh!} Orkiestra Historyczna (Poland), La Chapelle Harmonique (France), Le Grande Chapelle (Spain), Academia 1750 (Spain), Le Concert Lorrain (France), or Baroque Ensemble of the Spanish National Orchestra among others.

In addition to his work on the period orchestras, he has worked with several orchestras like: Stuttgarter Kammerorchester, National Orchestra of Spain, Orquesta de la Comunidad Valenciana, National Youth Orchestra of Spain, Valencia Orchestra, Balear Islands Orchestra.

This has led him to participate in festivals as important as BBC Proms festival (UK), Salzburg Festspiele (Austria), Lucerne Festival (Switzerland), Diaghilev festival (Russia), SWR Schwetzinger Festspiele (Germany), Prague Spring Music Festival (Czech Republic), Chopin International Festival (Poland), Bessançon Music Festival (France), Llangollen International Musical Eisteddfod (Wales), Gijón Early Music Festival (Spain) or Aldea dos Caputxos Music Festival (Lisboa, Portugal).

Additionally, he enjoys teaching and discovering the world of early music to new generations. He was the teacher of natural horn in the Salvador Seguí Conservatory (Spain) and participated as a teacher also in several masterclasses and courses.

musicAeterna orchestra events

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Wolfgang Amadeus Mozart (1756 – 1791)

Chorus “Alzai le flebili voci al Signor”: No. 1 from the cantata “Davide penitente”, K. 469 (1785)

Symphony No. 40, K. 550 (1788),

Maurerische Trauermusik (“Masonic Funeral Music”), K. 477 (1785)

Symphony No. 41, K. 551, “Jupiter” (1788)

Recitative and Aria of Donna Anna “Non mi dir”: No. 23 from Act II, Scene V of the opera “Don Giovanni”, K. 527 (1787)

 

Performers:

Nadezhda Pavlova, soprano
musicAeterna Choir and Orchestra
Conductor – Teodor Currentzis

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Wolfgang Amadeus Mozart (1756 – 1791)

Chorus “Alzai le flebili voci al Signor”: No. 1 from the cantata “Davide penitente”, K. 469 (1785)

Symphony No. 40, K. 550 (1788),

Maurerische Trauermusik (“Masonic Funeral Music”), K. 477 (1785)

Symphony No. 41, K. 551, “Jupiter” (1788)

Recitative and Aria of Donna Anna “Non mi dir”: No. 23 from Act II, Scene V of the opera “Don Giovanni”, K. 527 (1787)

 

Performers:

Nadezhda Pavlova, soprano
musicAeterna Choir and Orchestra
Conductor – Teodor Currentzis

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Wolfgang Amadeus Mozart (1756 – 1791)

Chorus “Alzai le flebili voci al Signor”: No. 1 from the cantata “Davide penitente”, K. 469 (1785)

Symphony No. 40, K. 550 (1788),

Maurerische Trauermusik (“Masonic Funeral Music”), K. 477 (1785)

Symphony No. 41, K. 551, “Jupiter” (1788)

Recitative and Aria of Donna Anna “Non mi dir”: No. 23 from Act II, Scene V of the opera “Don Giovanni”, K. 527 (1787)

 

Performers:

Nadezhda Pavlova, soprano
musicAeterna Choir and Orchestra
Conductor – Teodor Currentzis

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Wolfgang Amadeus Mozart (1756 – 1791)

Chorus “Alzai le flebili voci al Signor”: No. 1 from the cantata “Davide penitente”, K. 469 (1785)

Symphony No. 40, K. 550 (1788),

Maurerische Trauermusik (“Masonic Funeral Music”), K. 477 (1785)

Symphony No. 41, K. 551, “Jupiter” (1788)

Recitative and Aria of Donna Anna “Non mi dir”: No. 23 from Act II, Scene V of the opera “Don Giovanni”, K. 527 (1787)

 

Performers:

Nadezhda Pavlova, soprano
musicAeterna Choir and Orchestra
Conductor – Teodor Currentzis

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An event of Diaghilev+

Carl Orff (1895 – 1982)
Opera De temporum fine comoedia (1973)

Director — Anna Guseva
Production Designer — Yulia Orlova
Choreographer — Anastasia Peshkova
Costume Designer — Sergey Illarionov
Lighting designer — Ivan Vinogradov
Video Design — 2BLCK
General Producer — Ekaterina Arsenyeva

Music Director and Conductor: Teodor Currentzis
Performed by the musicAeterna Choir and Orchestra, guest soloists, and performers