Pavel Kurdakov
In the orchestra since 2007
Pavel Kurdakov graduated from the Rimsky-Korsakov St. Petersburg State Conservatory in 2000. At the time of his studies in the conservatory he met Teodor Currentzis. In 2007, he became the head of the musicAeterna Chamber Orchestra at the Novosibirsk Opera and Ballet Theatre, and since then he has been working at musicAeterna both as a musician and in managerial positions.
In 2003, he entered the Hochschule für Musik und Theater Hamburg where he studied with Professor Mathias Hofs. As a guest trumpeter, he performed at the opera houses of Hamburg and Bremen.
Since 2007, he has been working as a trumpeter of the musicAeterna orchestra. From 2007 to 2012, he held the position of the manager of the musicAeterna Chamber Orchestra at the Novosibirsk Opera and Ballet Theatre, and after relocating to Perm, he participated in the formation of musicAeterna’s large symphonic instrumentation.
In 2012 he left the position of the orchestra manager remaining advisor to Teodor Currentzis on orchestra affairs. In February 2021, after the orchestra had moved to St. Petersburg, he resumed the position of the orchestra manager.
It seems to me that Teodor’s genius lies in his ability to convincingly convey his conducting idea to each musician. The result, which we achieve through many hours of scrupulous work, finally convinces us that perfection could and even should be pursued. Teodor calls this an ‘uncompromising option’.
I am happy to work with such an orchestra and such a conductor. musicAeterna is a unique ensemble, one might call it a family. The level that we have reached over the years strikes not only fellow musicians, but also audiences worldwide.
I would like to take up painting seriously when I have more free time. Now I draw well, but not in oil — I would like to learn this technique. I am inspired by the works of the Russian ‘masters of light’ Arkhip Kuindzhi and Ivan Aivazovsky, I love painting of the 18th century, but I am surfeited with impressionism. I strive to find lesser-known artists who lived and worked at the same time as the great ones. As is the case, for example, with the little-known music of Salieri, who lived and worked in the time of Mozart, I believe such masters could be underestimated.
I have three children. I try to spend all my free time with them. My son plays football, we support Zenit together. And in hockey we support Magnitogorsk Metallurg, the best hockey team. My youngest daughter is engaged in equestrian sports, I accompany her at her trainings and help her with music lessons — she plays the piano. The eldest daughter is studying to be a designer, and we often discuss with her everything related to the visual arts and the world of design. Communication with children, their interests, and quality time together require attention and effort, and I am happy that I manage to find time for this.
musicAeterna orchestra events
The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.
The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.
Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna
Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
The musicAeterna Orchestra and Choir, conducted by Teodor Currentzis, present in Moscow an updated concert version of the programme “Hændel. The Dedication Ceremony to George Frideric Handel”. It combines fragments from English oratorios and Italian operas by Handel. An anthology of theatrical music by one of the greatest composers of the Baroque era is performed on historical instruments and in the Baroque style. The concert’s full dramaturgy adheres to the principles of the ancient extravaganza, characterized by its illusory, multifaceted nature, a constant play of scales, and focused attention to voice and space.
The soloists for this large-scale project — performed in Saint Petersburg, Moscow, Perm, Thessaloniki, Madrid, Valencia, and Barcelona — are young and promising singers participating in the first enrollment of the Anton Rubinstein Academy.
Performers:
artists of the Anton Rubinstein Academy
choir and orchestra musicAeterna
Music Director and Conductor Teodor Currentzis
Choirmaster Vitaly Polonsky
Assistant Conductor Evgeny Vorobyov
Ludwig van Beethoven (1770–1827)
Symphony No. 4 in B-flat Major, Op. 60 (1806)
Adagio – Allegro vivace
Adagio
Allegro vivace
Allegro ma non troppo
Wolfgang Amadeus Mozart (1756–1791)
Symphony No. 41 in C Major, ‘Jupiter’, KV 551 (1788)
Allegro vivace
Andante cantabile
Menuetto: Allegretto
Molto allegro
Performers:
musicAeterna Orchestra
Conductor Teodor Currentzis
Ludwig van Beethoven (1770–1827)
Symphony No. 4 in B-flat Major, Op. 60 (1806)
Adagio – Allegro vivace
Adagio
Allegro vivace
Allegro ma non troppo
Wolfgang Amadeus Mozart (1756–1791)
Symphony No. 41 in C Major, ‘Jupiter’, KV 551 (1788)
Allegro vivace
Andante cantabile
Menuetto: Allegretto
Molto allegro
Performers:
musicAeterna Orchestra
Conductor Teodor Currentzis